Farmed & Fizzed – Exploring Beer Cocktails With Peak Organic

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Experimentation has always been in Peak Organic’s DNA. The urge to continuously tinker with recipes is what led home brewer Jon Cadoux, back in the 1990s, to discover that his best beers were those made with organic ingredients. In 2005 he opened the Peak Organic Brewing Company in Portland, Maine, and that same spirit of exploration has resulted in the production of 20 unique beers, all of which use locally sourced, organic ingredients to the extent possible. Jon’s love of craft beer, passion for sustainability, and determination to remain innovative merged with Boston cocktail culture last Thursday at “Farmed & Fizzed,” an event hosted by Somerville’s Foundry on Elm and featuring cocktails made with Peak Organic beer. I spoke with Peak Organic’s Director Communications, Brendan Gangl, who explained that the brewery sent Foundry a bunch of ingredients they use in their beers, like hops, espresso, cacao nibs, and ginger. They challenged the bar to create cocktails using Peak brews and the locally grown products that distinguish the brewery’s beers.

Four Peak beers got the cocktail treatment, and they were available in full-size version or in flights composed of two cocktail samples served alongside the beers that featured in the drink.

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First up was Fresh Cut, a crisp, dry-hopped pilsner made with three types of hops. True to its name, it summons all the freshness of a newly mown lawn on a warm, spring day. In the Fresh Cut cocktail, the beer combined with GrandTen Distilling’s Angelica liqueur, yellow chartreuse, dry-hopped simple syrup, and lemon for a complex but refreshing herbal cocktail. I was expecting something sharp and bitter on account of the hops and chartreuse, but the flavors were surprisingly soft and well balanced. Mixing it with the GTD Angelica was smart; the aromatics and botanicals in the liqueur complemented the hoppiness and the herbal elements of the chartreuse.

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If the Fresh Cut cocktail captured the essence of a spring afternoon, the Summer Session cocktail was all about summer. Summer Session is a dry, citrusy wheat beer, and its namesake cocktail featured Ford’s gin, Orleans bitters, Cynar, and lemon. The result was a bright and crisp drink with a blend of herbal and citrus notes.

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“I was curious if maybe the flavors of the lighter-bodied Summer Session and Fresh Cut might get too muddled in cocktail form,” Brendan remarked. “But I thought the bartenders…did a great job accenting the fruit notes in the Fresh Cut and the citrus notes in the Summer.”

On the other end of the spectrum was the Espresso Amber. One of Peak Organic’s boldest beers, this malty, coffee-forward brew was mixed with Vermont’s Silo bourbon, St. George’s NOLA coffee liqueur, and Bittermens bourbon bitters for what seemed like an espresso-infused Manhattan. “It was almost as if we had taken our Espresso Amber and aged it in bourbon barrels,” Brendan said, clearly impressed with the cocktail. “It was just a touch and the right amount of heat to bring all the flavors together.”

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Rounding out the evening’s selections was the Ginger Saison cocktail. Peak’s Ginger Saison is a vibrant beer, with clear notes of spicy ginger and the unmistakable flavor of Belgian yeast. In the cocktail version it combined with Riverboat rye whiskey, raisin syrup, and Meletti amaro. This was a beer-forward cocktail with a prominent ginger flavor, and the raisin syrup gave it a boost of sweetness.

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Peak Organic head brewer Jon Cadoux made the drive from Portland to see what Foundry had done with his brews. Admitting that he was beer-focused and not much of a cocktail guy, he seemed genuinely impressed with the variety of spirits behind Foundry’s bar. That makes sense; given the character of Peak’s beers and the brewery’s tendency to experiment with flavor combinations, it’s easy to imagine a brewer’s gears turning at the sight of such a broad toolkit of flavors and styles.

I’ll be honest and say I’ve never been a big fan of beer cocktails. I’ve always found that they taste like two drinks uncomfortably occupying the same glass. The cocktails at Farmed & Fizzed didn’t completely change my mind, but I appreciated Foundry’s focused approach and ability to choose spirits and mixers that complemented the flavors – obvious and subtle alike – in Peak Organic’s brews. And while Farmed & Fizzed was just a one-time event, cocktails that incorporate beer are likely to become increasingly common.

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“I think it's certainly something that we'll start seeing more and more as the beverage culture continues to develop,” Brendan said. “People will look for new ways to differentiate themselves, and beer cocktails could very likely be that new genre that people explore.”

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Copyright © Boston BarHopper. All Rights Reserved.

Movers & Shakers

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Cocktail competitions have become something of a routine occurrence in Boston. Not that “routine” should be construed as “boring.” These good-natured contests are typically fun and lively affairs that give talented bartenders an opportunity to showcase their skills. More than that, they are symbolic of the city’s rich, ever-evolving cocktail culture.

As these boozy battle royales are increasingly becoming de rigueur in the Boston area, Movers & Shakers has grown into something of an institution. Now in its sixth year, the Boston Center for the Arts’ Movers & Shakers competition features representatives of 16 local bars and restaurants, each with an original cocktail employing a spirit made by one of five sponsoring liquor producers. Many of the participants brought along food, too, which is good – even cocktails sized for sampling can catch up with you in a hurry.

Among this year’s featured spirits were Privateer rum, Glendalough whiskey, Zyr vodka, and Berkshire Mountain Distillers.

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Sponsor Collage

Taking place at the South End’s Cyclorama, teams from OAK Long Bar + Kitchen, Wink & Nod, Emerald, Kirkland Tap & Trotter, and a dozen others competed for the favor of three judges. (The crowd got to vote as well, though I don’t know how those votes were weighted against the judges’ opinions.) I didn’t get to try every cocktail, but each entry was sufficiently distinct; and taken together, the offerings served as a testament to the creativity and innovative spirit that has made the Boston area such a wonderful place in which to enjoy cocktails.

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The evening’s emcee was Josh Childs, overseer of Silvertone, Audubon, Trina’s Starlite Lounge, and Parlor Sports. As the proceedings drew to a close, Josh revealed the winners. Taking home the award for Best Presentation was Kendall Square’s Catalyst, with a pairing called “Peas and Carrots.” Their vibrant, funky-hued cocktail featured Privateer Silver rum, muddled pea tendrils, yellow chartreuse, blanc vermouth, orange bitters, and lemonade.

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Served alongside the “Peas” was this beautiful dish of roasted carrots, carrot pesto, and pressure-cooked yogurt.

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Ward 8 snagged Best Food and Cocktail Pairing. Their Dreamcatcher cocktail, a recent addition to their menu, is made with El Dorado 8-year rum, Privateer Amber rum, spiced Earl Grey tea, orgeat, and lime.

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The Dreamcatcher was paired with bacon cashew caramel popcorn, a staple of the Ward 8 menu. This almost wasn’t fair; as good as the cocktail was, you could pair sour milk with this decadent popcorn and still get a few votes.

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And the prestigious honor of Best Overall Cocktail was awarded to Pastoral, a Fort Point kitchen and bar known for Italian cuisine and artisan pizza. Their Lucid Inspiration, a mix of Berkshire Greylock gin, absinthe, and pea consumé, was herbal and vegetal with a touch of sweetness.

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Not everyone can win an award, of course, but I do think some honorable mention is in order. In my humble opinion, the unofficial award for best overall display goes to the Ritz-Carlton’s Avery Bar.

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The colorful fruit and orchids adorning their table announced the tropical flair of their food and drink pairing. The Herbaceous Privateer combined Privateer rum, Clemént Créole shrubb, velvet falernum, and angostura bitters. Boosting the rum quotient was a tropical fruit rum cake made with mango, papaya, pineapple, and Privateer rum. The cake was delicious and made for a sinful complement to the tiki-style drink.

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Avery Collage

And if there were an award for most audacious cocktail presentation, The Living Room would win it going away. Showing up to a craft cocktail competition with test tube shots is an expression of either supreme confidence or stunning naiveté. I’ve had bottled craft cocktails, cocktails served in fancy shot glasses…but a test tube? This was a first for me.

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Chances are, you’ve been in a bar where there’s a waitress walking around with a tray of test tube shots. For a dollar or two, you get a test tube filled with bottom-shelf liquor and an overly sugary mixing agent. Given how affordable they are, you might even get talked into a second one. The night quickly devolves from there, and you wake up the next morning and wonder, in horror, what act of stupidity you committed that warranted 57 “likes” on Twitter.

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Thus it was with low expectations that I surrendered a ticket for The Living Room’s “Cherries Fo’ Real” – and if I was already skeptical about the drink, the name did little to instill confidence in me. The woman behind the table removed a test tube from what appeared to be a block of ice and shook it up, at which point the liquid inside turned into an opaque shade of red (a phenomenon I failed to capture with my camera). “Down the hatch!” she cheerily said, erasing any doubt that this was a shot and not something to be sipped.

And you know what? It was really good! Made with Greylock gin, Bolton Farms apple cider, fresh ginger, freshly squeezed lemon juice, simple syrup, and Bing cherries, it was complex, sweet, and spicy. Why they chose to serve it in glassware that in any context other than a laboratory is a harbinger of poor decisions, I don’t know. But hey, whatever works.

Congratulations to Pastoral, Catalyst, and Ward 8 on their richly deserved honors, and cheers to everyone who participated.

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Copyright © Boston BarHopper. All Rights Reserved.

Wink & Nod Gears up for Spring

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Thriving in a mode of endless reinvention is a demanding proposition. In an industry where failure is more likely than success, most bars and restaurants would be more than happy to find something that works – an approach, a style, a signature dish – and stick with it. Wink & Nod turns that conventional thinking on its head. With a rotating kitchen and what is now the third iteration of its cocktail program, change is the only constant at the South End speakeasy, which celebrated its first anniversary last month. And while April has thus far brought us little more than gray skies and sleet showers, Wink & Nod is debuting a spring cocktail menu that moves away from what beverage director Mike Boughton calls “hard-hitting cocktails and slow-sippers for the colder weather” and toward a selection of lighter, more refreshing libations.

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At a bar known for brown liquor and complexity, that notion may seem like a departure. Not so, says Mike, who explains that Wink & Nod’s approach to cocktails hasn’t changed, even if the complexion of some of the drinks has. “For the warmer weather, we really want to focus on lighter cocktails that go down easy but still taste great, still have good depth.”

Mike was kind enough to walk me through some of the new offerings this past week. Like spring itself, the new drink list is a work in progress – ingredients and portions are still being finalized, and some cocktails don’t even have names yet, like this blend of strawberry-infused vodka with Thai basil, fresh lemon, and a sichuan peppercorn tincture.

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(Note: Many of the cocktails shown here are sized for sampling. Don't worry, you'll get the full-size versions.)

Moniker or no, this dry, refreshing drink has a peppery finish and a mild, very natural fruitiness that seems perfect for a summer evening.

The Picador has a name and a story. Made with Don Julio Reposado tequila, Royal Combier (a fancy triple sec), and freshly squeezed lime juice, this precursor to the margarita may have its roots in Prohibition, according to bartender Jace. “The Picador was introduced to people who would have to sail out of American waters in order to drink,” he says. “They threw these lavish boat parties. This is kind of an ode to that, since spring and summer were perfect seasons to sail.”

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For such a simple drink, it’s full-flavored and satisfying. “It’s really just a basic cocktail recipe, but all the right flavors are in there,” Mike notes.

The Peugot is anything but simple. A “riff on a sidecar,” as bartender Dave describes it, this mix of cognac, mandarin orange liqueur, lemon, and agave is a complex reimagining of the vintage cocktail. A cardamom tincture contributes a distinct spiciness, while lemon oil on the top boosts the citrus components. Cognac may seem like more of a cold-weather spirit, but the fruit flavors and sweetness balance it out.

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The new cocktails are ideal for whiling away a summer evening, but they’re designed with more than just the season in mind. With what it calls a “culinary incubator program,” Wink & Nod turns over its kitchen to a different restaurant group every six months. Chefs Philip Kruta and Jeremy Kean of Whisk ran the show for the first six months, and Joshua Lewin and Kate Holowchik of Bread & Salt recently completed their own engagement. Setting up shop this month is Akinto, the concept of chef Patrick Enage. Bringing the flavors of Southeast Asia to the South End, Akinto’s menu blends styles and dishes from Thailand, India, and the Philippines, to name just a few.

Spicy pork wontons are plump and tasty, and a trio of sauces – anise BBQ, toasted sesame-rice wine, and peanut paste – allow for three very different tasting experiences.

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Prawns with squid ink lo mein are a treat for the eyes as well as the palate. Served in a red curry broth and topped with scallions and slices of green mango, it’s a seafood dish with a host of vibrant flavors.

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Swordfish belly is just as heavenly as its better-known porky brethren. With a Kabayaki glaze, salted duck egg vinaigrette, and Taiwan lettuce, it’s melt-in-your mouth tender.

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Given that the flavors in Akinto’s menu are quite literally all over the map, designing cocktails to pair with the dishes can be tricky. “When I first looked at Akinto’s menu, my idea for the cocktail menu was much different,” Mike admits. “I wanted to go a little heavier on the spices in the cocktails, incorporate some curry and coconut milk to reflect the food. But these are very heavily spiced dishes at it is, so I wanted to find something that would complement that instead of just add to it.” Citrus seems to be the solution, since the acid “doesn’t negate the spice, but complements it,” he says.

Nowhere is this more evident than with the Real McCoy. Made with Cutty Sark Prohibition scotch, Ramazzotti (a citrusy amaro), orange juice, and a house orgeat, it’s a lightly smoky, spicy drink with a fruit-forward aroma. A solid cocktail on its own, it truly comes alive when paired with the braised ox tail. This absurdly tender serving of beef comes with black bean-water spinach, jasmine rice, and chili oil for dipping. The spices in the dish and the flavors in the drink, in combination, exceed the sum of their parts.

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Rethinking the cocktail list to coincide with these periodic menu overhauls is a challenge, but it’s one the staff seems to relish. “It’s like we’re a new restaurant,” Mike says. “It gives us the opportunity to take a different approach to our cocktails, and really try to make them fit with the food, create a new experience…every six months.”

Chances are, they’d keep updating the drink list anyway, as evidenced by a couple of other new features. A Moscow Mule made with house ginger beer will be something of a rotating special, each time featuring a different base spirit. Like grappa, of all things. I clearly recall the first time I had grappa; I decided, without delay, that it would be the last. But the tea-infused version in the Grappa Mule is gentler than the typical grappa, and its floral, woody flavor makes for a surprisingly easy-drinking cocktail.

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There’s also a weekly punch that will feature varying recipes. First up is the “Bing! There Goes My Cherry” punch (“I didn’t name that,” one of the bartenders muttered), made with Papa’s Pilar rums, a cherry-cranberry tea infusion, and lemon. Mike puts it best: “Goes down pretty easily, packs quite a punch, literally.”

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Not all of the cocktails are changing. The Cure, one of the most popular items, will remain. An Old Fashioned made with applewood-smoked Bulleit bourbon, honey syrup, angostura bitters, and orange oil, this smoky drink first appeared on the fall/winter menu and quickly became a staple.

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Another favorite is the Indian Summer, which combines Nolet’s Silver gin, fresh grapefruit, St. Germain, and the house ginger beer.

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It’s a vibrant drink that goes well with the new menu, though but Mike foresees one minor issue. “We might have to change the name. Nobody wants to think about Indian summer in the beginning of spring.”

I think everyone in this city would agree.

Address: 3 Appleton Street, Boston

Website:http://winkandnod.com/

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Copyright © Boston BarHopper. All Rights Reserved.

Stellina

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Few of life’s pleasures are more satisfying in combination than jazz and cocktails. The two have enjoyed a long, productive relationship, dating back at least to the 1920s, when illicit speakeasies jumped and swayed to the sounds of live jazz. The pair may have reached their cultural zenith in the nightclubs of the mid-20th century; the image of men in sharp suits and women in glamorous dresses, sipping martinis while a crooner and big band fill the room with swing music and sultry classics, remains iconic. Jazz and cocktails have never truly been out of style, though their popularity has certainly ebbed and flowed over the years. Today you can find exceptional craft cocktails in any number of Boston-area establishments, and there are plenty of places where you can hear some smokin’ jazz. If you’re looking for nightly jazz played by an ever-shifting lineup of locals, Wally’s is your best bet. If nationally renowned performers are your thing, there’s Scullers and Regattabar. Fashionable entries like the Beehive and Beat Hotel fall somewhere in the middle.

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Watertown’s Stellina probably isn’t even on your radar. That’s understandable – it’s a suburban Italian restaurant, not a jazz club, and they only have live jazz on Tuesday nights. But for me, Stellina hits the sweet spot – solid jazz, above-average cocktails, a cozy bar, affordable food options, and a laid-back atmosphere. (It’s also a 10-minute walk from my home, which doesn’t hurt.)

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Having served Watertown for nearly 30 years, Stellina is a bona fide institution. Their Italian cuisine has won awards from Boston Magazine, and their beautiful back patio provides for elegant dining beneath the stars. Walled off from the main dining room is Stellina’s bar area, with a 14-seat bar and several two-seat tables. Dark wood and red lighting give the space an intimate appearance, but the mood is decidedly casual.

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This is where the Noteworthy Jazz Ensemble, the house band since 2008, sets up around 6 p.m. every Tuesday. The quartet – sax, guitar, bass, and drums – seamlessly blends timeless standards like “Caravan,” “Black Orpheus,” “Moanin’,” and “A Foggy Day” with original numbers and off-the-cuff jams (you might even hear a Black Sabbath riff or two thrown in).

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Overall, it’s a laid-back affair. The band fields occasional requests from customers and chats with regulars during breaks. If you’re sitting close enough, you can hear them discussing which key to play a particular song in. The music isn’t so intense that it inhibits conversation, but it doesn’t fade into the background, either. And while you can hear the Ellington and Coltrane tunes from just about anywhere in the restaurant, the bar is the place to be if you’re a jazz fan.

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Obviously, it’s the best place to be for drinks, too. Italian restaurants may be better known for wine than for cocktails, but Stellina is the only place I know of in Watertown with a cocktail program of this caliber. The rotating drink menu reflects some of the broader trends in nearby Boston and Cambridge, updating classic cocktails with inventive twists and offering a few original concoctions with house ingredients.

The Cool-Manhattan is the quintessential partner for some cool jazz. It’s an appropriately straightforward Manhattan made with Maker’s 46 (aged a little longer than the flagship Maker’s Mark), Carpano sweet vermouth, bitters, and a Luxardo cherry.

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In a similar vein is the Cocktail Italiano, combining Old Overholt Rye, Amaro Montenegro, grapefruit bitters, and lemon syrup, garnished with a mint leaf. Dry and sour, a fresh, minty aroma accompanies every sip.

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The Hot Toddy has no doubt been a popular item in this hellish winter, and it demonstrates Stellina’s tendency to mix things up a bit with some of the supporting ingredients. Applejack brandy combines with lemon peel and a ginger- and chamomile-infused honey for a sweet, apple-forward drink with plenty of flavor. Warms the belly and the soul on a brisk night.

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The Cocktail 47 (named after Stellina’s address) is sort of a vodka-based riff on the Hemingway daiquiri. Made with Belvedere grapefruit vodka, maraschino liqueur, fresh grapefruit, and lime, there’s a lot going on in this one – a blast of sourness and a prominent grapefruit flavor.

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The Caipirinha Sour is a more recent addition to the menu, and one of the few missteps. This mix of cachaça, muddled lime, homemade sour mix, and fresh tangerine has all the right ingredients for a refreshing variation of traditional Brazilian cocktail, but it’s topped with a flat soda that mutes those great flavors.

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There are plenty more creative high points, though, like the simply titled “Pear.” Made with Belle de Brillet Pear Cognac, Grey Goose vodka, reduced pear, and vanilla nectar, it’s a soft, smooth drink that nonetheless packs a punch.

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The Ransom Citrus-Lavender combines Ransom Old Tom gin, a lemon cordial, and lavender-citrus infused agave. It’s dry and full-flavored, with a distinct citrus component and a delicate floral essence.

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The Royal Snap is an unusually complex rendering of a whiskey and ginger, made with the intriguing Whippersnapper Oregon whiskey, which has some gin-like botanical notes to it, along with muddled blood orange, homemade orange bitters, a ginger reduction, and ginger beer.

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For those craving something more straightforward, the Moscow Mule is simple and traditional – Tito’s Handmade vodka, ginger beer, and lime, served in the customary copper cup.

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My good friend and fellow barhopper/Watertown resident/jazz fan Mario and I have resolved to hit Stellina at least one Tuesday a month for this jazz-and-cocktail combo, and so far we have a perfect record in 2015. It’s an endeavor made easier by some fairly economical dinner selections. On the antipasti menu, the handmade sweet potato gnocchi, tossed with Gorgonzola, sage, and Parmesan, is generously sized and delicious. I’ve always been curious to try gnocchi made with sweet potato; it adds a nice dimension.

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There’s a selection of flatbreads that you can customize if you so desire. This smoked prosciutto, garlic, Fontina, and rosemary pizza, with hot sausage added, is becoming my go-to order.

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And if you’re craving something sweet, the Crème Brulee Napoleon tastes as good as it looks. Layered with phyllo pastry, caramel sauce, and toasted hazelnuts, it’s crunchy and surprisingly light (I’m not necessarily speaking form a caloric standpoint here).

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Concluding with such a beautifully presented dessert seems fitting, in a way. Nearly everything about Stellina reveals a fondness for performance and artistry – from hosting live jazz to serving contemporary craft cocktails with lemon cordials, infused syrups, and fruit reductions. In addition to the weekly jazz nights are occasional opera nights, author nights, and wine tastings. Even the blog on their website is well written and regularly updated. To me that signals a creative spirit, and whether it’s in a restaurant in Watertown, a jazz club in Boston, or a modern cocktail bar, that’s a great attribute to have.

Address: 47 Main Street, Watertown

Website:http://www.stellinarestaurant.com/

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Copyright © Boston BarHopper. All Rights Reserved.

Glendalough Distillery and the Independent Spirit

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Ireland’s history of distillation is as turbulent as it is long.

At its height of production in the 18th and 19th centuries, the small island boasted 200 licensed distilleries and perhaps as many as 2,000 illicit ones. But heavy taxation, regulation, two world wars, and the loss of a certain large customer due to Prohibition brought the industry to its knees, leaving only a handful of distilleries in operation to this day.

Loss of Independence – and Identity

Most of the remaining distilleries have ensured their survival by allowing themselves to be purchased by multinational conglomerates with multiple brands under their respective umbrellas.

That bittersweet progression reached a culmination of sorts in January 2012, when the last independently owned whiskey distillery in Ireland passed into foreign hands.

Now in one sense, this isn’t all bad news. Deep-pocketed corporations pouring money into a domestic brand can create or sustain jobs, modernize aging facilities, and open up new markets in far-flung regions.

But for a nation that cherishes its independence the way Ireland does, it must be galling to know that some of its most beloved products amount to little more than a line item on some foreign company’s balance sheet.

And while Irish whiskey has enjoyed an international renaissance in the past five years, there’s something perverse about Bushmills whiskey being owned by Jose Cuervo.

Makers of fine Irish whiskey.
Makers of fine Irish whiskey.

The Return of Craft

But Donal O’Gallachoir is helping bring Irish distillation back to its roots. Donal is one of the founders and owners of Glendalough Distillery – the first craft distillery in Ireland.

Founded in 2011 as the brainchild of five friends from Dublin and Wicklow, Glendalough Distillery represents an effort to recapture the character and heritage of a centuries-old industry that’s had more than its share of ups and downs.

“We wanted to bring back something real, something historic,” Donal tells me over drinks at Fort Point’s Blue Dragon. Glendalough’s brand manager, Donal relocated to Boston last year and has been bringing the distillery’s growing line of spirits to American shores.

And while Glendalough is a young distillery, Donal and company have cloaked their brand in Irish history, from basing their spirits on ancient recipes and methods to adopting the figure of St. Kevin, a 6th century Irish abbot, as something of a spiritual guide.

The Legend of Kevin

While from a distance it might look like Gandalf preparing to take down a balrog, that’s St. Kevin on the label of Glendalough’s bottles. The founder of Glendalough, the beautiful valley in Ireland from which the distillery takes its name, St. Kevin is known to have been a fiercely independent holy man, though the actual record of his life is long on folklore and short on verifiable facts.

The most enduring legend involving St. Kevin, immortalized in verse by the late Nobel Prize-winning Irish poet Seamus Heaney, is that a blackbird once landed in his outstretched hand, and such was Kevin’s patience that he remained completely still for weeks while the bird built a nest and laid eggs, not moving until the chicks eventually hatched and flew off.

The blackbird story is an allegory of determination and independence, and it’s easy to see why a fledgling distillery would draw inspiration from the celebrated saint.

Those characteristics are evident as Glendalough continues its gradual rollout. The product line is small but growing, consisting of three aged whiskies, a gin, and a spirit that relatively few Americans may be familiar with – poitín.

Irish Moonshine

Poitín (pronounced put-cheen) represents a fascinating chapter of Irish history and culture. A spirit traditionally made from malted barley, sugar beets, and potatoes in a pot still, poitín predates whiskey and is considered one of the oldest distilled beverages in the world, first appearing in written record in 584 A.D. Irish authorities prohibited its distillation in the 17th century, but production continued in secret, making it the Irish equivalent of moonshine.

And once it retreated to the shadows, poitín became the stuff of legend, with an alcohol content ranging from 50% to as high as 95%. After 300 years of illicit production, poitín was approved for exportation in 1989 and finally for domestic sales in 1997.

Poitín’s historical credentials make it an entirely appropriate product for a distillery trying to recapture the essence of old-school Irish spirit production. “It’s the definition of craft distilling,” Donal says.

At 40% ABV, Glendalough’s Premium Irish doesn’t quite approach the organ-melting potency of homemade poitín. But the recipe is rooted in tradition, dating back to the 1700s. Made from a mash of malted barley and sugar beet and aged in Irish oak barrels, the clear spirit has the body of a single-malt whiskey but a sweet flavor that’s almost reminiscent of rum.

Consumed neat or on the rocks, Glendalough’s poitín has a somewhat creamy mouthfeel with an overall earthiness and a blend of fruits that we don’t encounter often on our side of the Pond, like gooseberries and blackcurrants. It makes for an unusual but appealing tasting experience.

It also works well in cocktails, and Blue Dragon’s Cliffs of Glendalough features a bold, coffee-infused poitín with rich notes of chocolate and spices.

Resurgence of Irish Whiskey

An unfamiliar spirit like poitín might require some explanation, but Irish whiskey needs no introduction. After decades of playing second fiddle to Scottish whisky – in terms of popularity, anyway – Irish whiskey has spent the past several years reclaiming its onetime international glory. 2011 marked the first year that Irish whiskey outsold single malt scotch in the United States, and the spirit’s been on a global upswing since then.

That makes the timing of Glendalough’s entry to the market fortuitous. They offer three whiskies – 7-year and 13-year single malts, and as of this March, an intriguing product called Double Barrel. Hearkening back to a 19th-century style, it’s a single-grain whiskey that spends three and a half years in an American bourbon barrel before being transferred to a Spanish sherry barrel for six months.

Double Barrel

The result is a whiskey with an oaky vanilla flavor and an unexpected fruit character. Donal calls it “light, sweet, and complex,” with depth from malted barley and sweetness from corn. It’s a very accessible whiskey, but surprising notes of spice, ginger, and nutmeg make it complex enough to interest a veteran whiskey drinker.

After sampling it neat, I ordered the Double Barrel in a cocktail, expressing no preference for the type of drink as long as it showcased the whiskey. Our bartender went all out and made “something special” – an Old Fashioned variation with the Glendalough Double Barrel, Benedictine, allspice-infused honey syrup, and old fashioned bitters.

Special indeed! The honey and spice smartly complemented the sweet and spicy notes in the whiskey, while the Benedictine added a bitter, herbal character.

Growth of a Brand

According to the Irish Spirits Association, Ireland exported about 6.2 million cases of whiskey last year, and that figure is projected to double by 2020.

Amid this rapidly increasing global demand, Glendalough Distillery is gradually carving out a small niche for itself. As of March 2015, you’ll only find their spirits in Boston, New York, Atlanta, and Washington, D.C., but the essence of craft distilling is starting small and worrying more about quality than sales figures.

And Glendalough seems content to build their brand not with flashy ad campaigns but by establishing relationships with bar owners, managers, and industry professionals – people who appreciate a small-batch spirit with a unique flavor profile that can feature in an original cocktail.

Irish Hospitality

Some good ol’ Irish charm doesn’t hurt either, as is evident during my conversation with Donal. Chatting with Glendalough’s brand manager is a genuine pleasure. The man has an inexhaustible supply of stories about his native Ireland, the history of Irish distilling, the spirits industry in general, his favorite Boston bars, you name it.

But it’s more than just idle chatter. Entertaining tales and anecdotes aside, Donal’s passion for Glendalough’s spirits is unmistakable, as is his respect for Ireland’s distilling heritage. The Emerald Isle's spirit industry is one of the oldest in the world and has endured staggering swings of fortune, from once having hundreds of distilleries to being nearly wiped out to having all of its major producers bought up by foreign investors.

A man and his booze.
A man and his booze.

Donal and company are adding a new chapter to that dramatic narrative.

And while it’s all well and good that huge corporations are bringing Irish whiskey to every corner of the globe, small craft distilleries like Glendalough are getting back to what made the stuff so popular in the first place.

“You can look back on it and say, I made that,” Donal remarks as I admire a bottle of his whiskey.

Call me idealistic, but that seems more satisfying than saying “My company bought the company that made that.”

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Copyright © Boston BarHopper. All Rights Reserved.

Fairsted Kitchen

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Even if you aren’t familiar with the name Frederick Law Olmsted, chances are you’re acquainted with his work.

Olmsted is widely regarded as the godfather of American landscape architecture. In the latter half of the 19th century, Olmsted devoted his career to the design of urban parks and green spaces. Among the highlights of his spectacular resume are New York’s Central Park and, closer to home, Boston’s Emerald Necklace, the parkway that stretches from Back Bay to Dorchester and includes such tranquil sanctuaries as the Public Garden and the Arnold Arboretum. Olmsted moved to Brookline in 1883 and did much of his design work from his home office, which also served as the nation’s first full-time landscape architecture firm. He called his estate “Fairsted.”

More than a century later, Olmsted’s adopted hometown still bears his imprint. And on Beacon Street, a thoroughfare that would look unfathomably different without Olmsted’s influence, Fairsted Kitchen offers a nod to the famous landscape architect.

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“We always tell people that Fairsted [Kitchen] could only exist in Washington Square, nowhere else,” bartender Will Isaza says while expounding upon the spirit of the neighborhood’s chief designer and onetime resident. “He made Beacon Street what it is today.”

The restaurant honors Olmsted not only nominally but aesthetically as well, capturing the essence of a Victorian-era home with its antique accessories, vintage-style wallpaper, and long curtains clasped behind floor-to-ceiling windows. A long table in the dining room and a menu teeming with small plates recall the sense of community that Olmsted promoted with his public parks.

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But if the work of a 19th century urban planner doesn’t particularly resonate with you, Fairsted also evokes an atmosphere that may have a more sentimental appeal. “The owners wanted it to feel like grandma’s living room,” Will says. And that may be an even better way to describe the space.

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Despite having opened its doors just over a year ago, Fairsted has the appearance and character of an old-fashioned, well-maintained home. Hardwood floors and wooden tables, glowing candles, polished silver, and sconce lighting give it a sense of timelessness.

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And as you might expect of a beloved grandparent’s house, Fairsted is neat and tidy but dotted with conversation pieces. Behind the 12-seat bar, with its stainless steel surface, is a collection of odds and ends such as books, toy dinosaurs, and a globe. None of the plates, silverware, or glassware are coordinated, giving the impression that they’d belonged to disparate collections that have lost pieces over the years.

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Taken together, the subtle touches serve to make Fairsted feel cozy and lived-in, like a home that’s been blessed with a steady stream of occupants and visitors over the years.

Of course, your grandparents probably never made the sort of drinks you’ll find here.

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Fairsted Kichen stands out in a neighborhood that isn’t known for its variety of craft cocktail bars. Fairsted’s beverage program, designed collectively by the staff, is highly original but approachable. There’s a deliberate effort to “keep it light,” as Will says, particularly with drinks named for movies (Days of Future Past Punch) and songs. With a nod to both the Beastie Boys and the town Fairsted resides in, No Sleep Til Brookline combines bourbon, Amaro Montenegro, lemon, and Angostura bitters.

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The Fresh Tracks, made with vodka, thyme, lemon, and Chartreuse, is surprising. With strong flavors like thyme and Chartreuse, I was expecting something bold and intensely herbal. Instead it’s light, refreshing, and well balanced, with a mild bitterness. Will explains that Fresh Tracks is made with a thyme- and tarragon-infused vodka, as opposed to a syrup, which seems to soften the flavor somewhat.

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There’s nothing soft about the Foreign Legion, though, with its mix of mezcal, sherry, Ancho Reyes, and Punt e Mes. Mezcal’s distinctive smoky character is a natural partner for Ancho Reyes, a spicy ancho chile liqueur, and the Punt e Mes adds its trademark bitterness. The sherry contributes a rich, nutty flavor and keeps the whole affair pretty balanced.

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Much like the bar’s menagerie of mismatched oddities, Fairsted’s drinks are intended to spark conversation. On that note, few drinks command more attention than the Black Sails, with its unexpected display of pyrotechnics. This blend of rum, lime, Cappelletti, and cacao garners oohs and ahhhs when a dusting of cinnamon is ignited while being sprinkled over the top of the drink (an event I most assuredly would have photographed had I known it was coming). The cocktail itself lives up to its fiery presentation, with bold notes of chocolate and cinnamon.

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A cascade of sparks might be an obvious conversation starter, but many of the drinks are intended to prompt a question or two on account of their sometimes unusual composition. “Count Me In!” is a crisp, bitter cocktail made with fresh orange, Becherovka, Campari, and soda. You’re far more knowledgeable than I am if you know what Becherovka is without having to look it up.

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The Southern Cross is made with cognac, clove, Amaro Meletti, and bubbles. The source of the up-front clove flavor is mysterious – is it a liqueur? a syrup? an infused spirit?

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You can pull out your phone and discover that Becherovka is an herbal liqueur made in the Czech Republic (and that their website is maddening to navigate). You can speculate about the source of the clove flavor in the Southern Cross. Then again, why not just ask?

“We keep the lines of communication open,” Will says. “We don’t want to scare anyone away.” And he acknowledges that something like “clove” is deliberately vague. “We try to keep it simple in terms of the flavor components. If people want to ask about the ingredients, we can tell them. If not, at least they know the flavors.” (I did ask – it’s a clove and cardamom syrup.)

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If any of Fairsted’s drinks demand a little interrogation, it’s the rotating selection of draft and bottled offerings. Among local establishments, Fairsted has been at the forefront of this still emerging trend. Will acknowledges that the decision to offer pre-made craft cocktails has its roots in efficiency, a means of minimizing customer wait time and speeding up the production of some labor-intensive drinks. “But after that, it became ‘let’s see how weird we can get’,” he says.

There’s plenty of weirdness coming through those draft lines. The herbal Doctor’s Orders is an unusual cocktail made with rye whiskey, cherry, fenugreek, and Punt e Mes. The name is appropriate; fenugreek is a plant often used for medicinal purposes.

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The Katsura is a draft aperitif that combines sherry and a scotch infused with capers and apricot. It’s a variation of a Bamboo cocktail and named for the signature work of a famous bamboo artist. The flavor is utterly unique; I mean, who infuses scotch with anything, let alone capers and apricot?

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Will says the staff thrives on devising creative combinations like that, although there are limits to which ingredients can be served in draft form. Citrus and fruit juices, with their acidic content, would tear up the draft lines. But when it comes to bottling cocktails, pretty much anything goes. Will explains that the biggest challenges with creating a good bottled cocktail is making something that’s spirit-forward, fresh, and can be carbonated.

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The bottled Chasing Daylight combines aged gin with spiced pear and apple, with a twist of lemon over the top. Fruity but not sweet, it’s a crisp drink with a natural pear flavor and a little spice.

Beyond the twin challenges of being as weird as possible and approachable as possible, Fairsted’s cocktail program tries to make season-appropriate drinks that complement the food menu. This is a “kitchen,” after all. There’s an emphasis on sharing, with a diverse offering of snacks and small plates. Like the drink program, the food selection balances accessibility with creativity.

And yes, there’s a little “weirdness,” too.

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It’s not every day you see a pig head lettuce wrap, but it’s something of a signature item at Fairsted. The meat is indeed from a pig's head that’s braised overnight and crusted in panko. Served with carrot, daikon, cilantro, and chile pepper, it’s a crunchy, smoky, spicy bar snack.

Deviled eggs, topped with scallions and a sweet sauce, were on special during one of my visits. They were a little too chilled, but satisfying nonetheless.

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Seasonal ingredients and clever flavor combinations infuse the rest of the regular menu. Potato latkes are served with a sweet saffron apple butter and scallion cream. Gnocchi is made with crosnes (a Chinese artichoke), walnut, roasted garlic, and Parmesan cheese. Cauliflower and Brussels sprouts are savory and vibrant, while the hazelnut spaetzle has a warm, nutty flavor.

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The Turkish meatballs, though, are a true standout. Made with lamb, seasoned with allspice, and served with Greek yogurt, these flaky, spicy meatballs pretty much melt in your mouth.

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Thinking back to Will’s remark about Fairsted’s cocktails complementing the seasonal cuisine, it’s easy to see some thoughtful parallels among the winter vegetables, savory ingredients, and sweet flavors that can warm your bones on a chilly night. But I think the most effective pairing I encountered came during dessert. It’s rare to see a carefully thought out menu of dessert cocktails; I feel like after-dinner drinks are often limited to some combination of coffee, cream, chocolate, whiskey, and Baileys. But Fairsted offers a rotating list of dessert drinks that are as imaginative as their regular libations.

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The Armchair Sailor combines rum, vermouth, and homemade orgeat syrup for a rich, sweet cocktail served in a perfectly sized glass. It pairs beautifully with a slice of blood orange pie.

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Topped with two thin slices of blood orange, the spices in this custard-like pie complement the sweetness of the rum and the almond flavor in the syrup. With decadent pairings like this, you’d be wise to save room for dessert.

Just like grandma would have suggested.

Address: 1704 Beacon Street, Brookline

Website:http://fairstedkitchen.com/

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Copyright © Boston BarHopper. All Rights Reserved.

Reflecting on Three Years of Boston BarHopper

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When it comes to creative writing, I’ve always had a tendency to get excited about an idea, only to later find myself lacking the discipline to coax it into existence. I can’t tell you how many times my enthusiasm for a writing project wore off at some point between conception and creation. Maybe it was lack of dedication, a crisis of confidence, or just the simple fact that quality writing takes time and focus, and life is full of so many other things that demand attention. So if you’re surprised to learn that today marks the third anniversary of Boston BarHopper’s inaugural post, I can say with all certainty that I’m far more shocked than you are. I have read that 60% to 80% of all new blogs are abandoned within one month; honestly, even amid my early elation, I figured mine would ultimately fall into that dubious category.

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I’m not telling you this as a means of publicly patting myself on the back. I suppose I’m just feeling a little reflective today about why I actually stuck with this. I think there are a few reasons, and I hope you’ll indulge me while I elaborate.

First, I’ve been blessed with an unending stream of support that predates my decision to start this blog and continues to this day. That encouragement takes on more forms than I can possibly describe, and it has buoyed me in times of doubt, extreme writer’s block, and general ennui.

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Second, I have had the great fortune of meeting some incredible people through this blog. I’ve gotten to know talented bartenders, industry professionals, and fellow bloggers over the past few years, and I find it so stimulating to have a fascinating conversation over a good drink, learn something new, and come away feeling better and smarter for it. This world is full of wonderfully intelligent and creative individuals. I’m grateful to count some of them as friends and acquaintances, and I know I couldn’t have established those relationships except under the auspices of Boston BarHopper.

And that leads me to the third reason why, for three years, I’ve not only maintained this site but also poured my heart and soul into it. I certainly enjoyed going to bars, drinking well-made cocktails, and talking about quality spirits long before I decided to devote time to writing about such things. But I can’t honestly say that I ever gave the nuances of that stuff much thought.

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As my knowledge of this industry has grown, so has my understanding of the challenges associated with it – and my respect for those who toil under some frustrating and exhausting conditions. Most of us don’t think about the fact that shaking dozens of cocktails every night can wear down your shoulder, or that a tiny slice on your fingertip can be torture when you’re faced with a long night of squeezing lemons and limes into drinks.

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For those of us who always pay our tab, leave a generous tip, and thank our server, it’s easy to forget there are jerks who don’t.

I think it’s worth remembering that a humble bar with just a few beers on draft might have been built with someone’s life savings. Or that a fledgling brewery or small distillery is the culmination of somebody’s lifelong dream.

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There was a time when the sum total of thought I devoted to a cocktail was simply whether I liked it or not. Now I find myself pondering the flavors, wondering about the process behind it. Why did the drink’s creator choose that particular combination of ingredients? Why did she use one brand of spirit over another? Chances are, it took a lot of trial and error. How much booze got poured down the drain before the right chemistry was discovered?

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I guess what I’m saying is that as I’ve gotten to know people in this industry, I’ve learned their stories. And I’ve felt compelled to tell those stories to the best of my ability. If I’d stayed with the formula of “I went to a bar, here’s what I ordered,” I’m sure I would have lost interest in this venture, and BBH would have died on the vine like the vast majority of blogs. But hearing people talk about their struggles and triumphs, their vision, their passion, or something they created – I find all of that profoundly interesting. My goal is to make those stories interesting for you, too, while at the same time giving my subjects the respect they deserve.

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So as the Good Ship BBH sails into its fourth year, I’d like to thank everyone who’s helped make this such a fun, challenging, and ultimately fulfilling adventure. There are many more stories to be told, and I’ll keep telling them as faithfully as I can.

Thank you for reading.

Best,

Matt

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Copyright © Boston BarHopper. All Rights Reserved.

Numbing the Pain of Snowpocalypse With Local Spirits

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If you know me at all, even just as an occasional visitor to this space, then you are doubtless familiar with my loathing of winter. My disillusionment with this irksome season probably dates back to the moment my parents decided I was old enough to operate a shovel. In all likelihood, that was the first time I realized that a snowstorm meant more than just an impromptu day off from school, an occasion to be occupied with such leisurely pursuits as snow fort construction and sledding. Suddenly, there was work involved – forced manual labor in harsh conditions. At the time, I certainly didn’t appreciate the gravity of the moment, unaware that it was my indoctrination into a lifetime of arbitrary inconvenience between the months of November and April (give or take a few weeks). That realization came gradually, in the form of sore muscles, untimely falls, white-knuckled car rides, and the abandonment of long-scheduled plans. This year, it’s meant impossible commutes in and out of the city, subzero temperatures, and ice dams forcing water into my dining room.

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I tell you this not because I think you need to hear another person complaining about the weather, but because this menace of a winter has become an encumbrance on my weekly posts. Of course I realize, fully, that my having to postpone a couple of bar visits doesn’t exactly qualify as a hardship. But in the face of parking bans and the utter catastrophe that is the MBTA, I’ve been hampered in my efforts to share a tale of barhopping on my preferred schedule of once a week.

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It was in the midst of this frustrating, snow-induced torpor that, late one night, I decided to treat myself to a glass of bourbon; specifically, Berkshire Mountain Distillers bourbon, a bottle of which was given to me by my friend and fellow barhopper Kat. I had opened the bottle some time ago and used it in a cocktail or two, but had never tried it on its own.

And let me tell you – it was a revelation. The inviting aroma, the smooth texture, the notes of caramel in the finish; I felt revived.

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Now my intention here is not to anoint Berkshire Bourbon as the king of whiskies. I’d call it a good, solid spirit, and a genuine pleasure to drink. But given the circumstances of that particular night, it felt like something more. I wanted no other bourbon than that which I’d just poured into my glass.

The episode also provided some much-needed inspiration. I considered writing a short piece about my experience with Berkshire, but then decided to expand it to include some of the other local spirits I’m fortunate to have in my collection. I’ve long been an advocate of drinking locally, but I think that takes on another layer of significance when the region is affected by something like this brutal stretch of winter weather. If you pour yourself a well-earned drink after a marathon shoveling session or a painful commute, there’s a certain kinship in knowing that the booze in your glass was made just a few miles away, by people who are enduring the same frustrations.

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That said, here’s a tribute to three local distilleries that are cranking out top-notch products in and for a state that’s been driven to drink by the 100+ inches of snow we’ve racked up over the past month.

We begin with the inspiration for the post.

Berkshire Mountain Distillers – Bourbon

As the name would imply, Berkshire Mountain Distillers makes its home in Massachusetts’ mountainous Berkshire County. When BMD set up shop in 2007, it did so as the first legal distillery in the Berkshires since Prohibition. Their line of handcrafted spirits has grown to include rum, vodka, and several varieties each of gin and whiskey. A few of their offerings have won awards, and all of them have won praise among discerning drinkers.

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Berkshire Bourbon is made with corn grown on a farm near the distillery and aged in American white oak barrels. It isn’t aged terribly long; like any young distillery, BMD is unable to speed up time to produce a 10- or 12-year-old spirit. But if it lacks some of the complexity of an older bourbon, its smoothness, aroma, and flavor more than compensate. It’s an approachable, easy-drinking bourbon with just enough bite and a hint of spice; prominent notes of caramel and vanilla give it an overall sweetness. I’ve found Berkshire Bourbon makes a mean Old Fashioned, but after my winter’s eve epiphany, I’m drinking it neat from now on.

Website:http://berkshiremountaindistillers.com/

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Bully Boy Distillers – Hub Punch

While Berkshire Mountain Distillers was the first legal distillery to open its doors in the Berkshires since Prohibition, Bully Boy was the first to do so in Boston. And yet, Bully Boy’s roots date back to the days of that so-called Noble Experiment. Bully Boy’s owners, brothers Will and Dave Willis, trace their distilling roots at least as far back as the 1920s, when liquor was quietly available on their family’s farm in Sherborn, Massachusetts. Today their small-batch distilling is entirely legal, and yet there’s an obvious appreciation for history in their ever-expanding product line.

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Hub Punch is a most intriguing elixir. Inspired by an 1800s-era recipe associated with a long-shuttered New York hotel, Hub Punch infuses Bully Boy’s barrel-aged rum with a blend of fruits and botanicals. The result is an unusual combination of fruity and bitter components, giving an unexpected herbal bite to a spirit normally known for its sweetness. Consumed neat, it’s drinkable but intense, with a fruit-forward character. It’s excellent in a cocktail, though, and Bully Boy offers a few recipes on their website.

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The most traditional partners for Hub Punch are ginger ale and soda water, as with the eponymous “Hub Punch” cocktail. This mix of Hub Punch, ginger ale, soda water, and lemon is a crisp, fruity, refreshing drink with a hint of tartness.

Website:http://www.bullyboydistillers.com/

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GrandTen Distilling – Fire Puncher Black

Last summer I visited GrandTen Distilling’s historic South Boston facility for an up-close look at small-batch spirit production. While there, I had the pleasure of sampling eight of their nine products. Why not all nine? Because they were out of Fire Puncher Black – a seasonal offering that combines GrandTen’s chipotle vodka with cocoa nibs from Somerville’s Taza Chocolate.

I finally got to try the spirit later that year when GrandTen hosted a bartender battle at its site. As part of the final round of the competition, two contestants were asked to create original cocktails using Fire Puncher Black. And you know, that’s no mean feat. With its complex blend of spicy pepper and dark chocolate, Fire Puncher Black is not exactly the most versatile of spirits.

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It’s definitely fascinating to drink on its own. You get chocolate in the aroma, pepper in the first sip, and a finish that’s neither too hot nor too sweet. But if you’re looking to use it in a cocktail, GrandTen offers a few ideas on their website, the most exciting of which is called Joe vs. The Volcano.

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Named for a 1990 film starring Tom Hanks and Meg Ryan, this tiki-style drink features tropical flavors, a chocolate base, and a hint of fire. It combines Fire Puncher Black, GrandTen’s Medford Rum, lemon juice, lime juice, pineapple juice, and coconut milk. There’s a lot going on in this one, but it’s ultimately a smooth cocktail that packs a punch. The chocolate really comes through in the finish, even with all those vibrant flavors. And while there’s a bit of chipotle pepper in the final product, the effect isn’t so much about heat as it is warmth.

Website:http://www.grandten.com/

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Warmth is something we could use right about now, whether it’s in the form of a spicy tiki drink, a fortifying rum cocktail, or a soul-warming tumbler of bourbon. Or, you know…the sun, melting the snow and ice.

On that note, it looks like we might be moving past the worst of the winter, and BBH will be back on a regular schedule soon enough. But I swear, one more snowstorm, and I’m rebranding myself as Florida BarHopper.

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Copyright © Boston BarHopper. All Rights Reserved.

Craft on Draft at Tico

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“I just changed the keg” isn’t the sort of thing one typically hears when the subject is cocktails. Kegs are for beer. Cocktails are a matter of bottles, shakers, fresh ingredients, and the deft hands of a skilled bartender. And yet those were the very words Erin Surprenant spoke as she led me toward the bar at Tico, the hip, upscale Back Bay restaurant at which she is the general manager. This past Thursday, Tico hosted a pre-Valentine’s Day party, replete with drinks, complimentary appetizers, and elaborate floral bouquets. Now I enjoy VD as much as the next guy, but the event also served to showcase the latest addition to Tico’s cocktail menu – a Moscow Mule on draft.

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Tico isn’t the first Boston-area establishment to serve cocktails on tap. Respected bars like Alden & Harlow and Fairsted Kitchen have experimented with the technique, and it makes sense – the popularity of cocktails continues to soar, but labor-intensive drinks and a big crowd can be a challenging combination.

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Still, the notion of a cocktail stored in a keg and delivered via draft might invite a little skepticism. This great renaissance of craft cocktails has taught us to not only enjoy the drink in our glass but also to appreciate the process by which it got there. But as Erin explained to me, being efficient isn’t the same as taking shortcuts.

Such is the case with Tico’s Moscow Mule. It may flow easily from beneath its novel custom tap handle, but it’s the product of the same hard work and trial and error that accompanies any new cocktail recipe or variation of a classic.

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Tico starts by making its own ginger beer, with fresh ginger, and it’s unlike anything you’ll find in a bottle or can. That gets combined with Tito’s Handmade Vodka, widely considered the standard in an industry that tends to lean toward more colorful and flavorful spirits.

The result is one of the spiciest, most vibrant, most aromatic Moscow Mules I’ve ever had. The fresh ginger gives it an unexpected kick, but the cocktail remains refreshing and easy to drink.

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The Moscow Mule’s straightforward composition might make it an obvious choice for the tap, but Erin explained that making a cocktail in five-gallon batches has its own set of challenges, because it’s much harder to get the portions right with that kind of volume.

“The first batch was sugar water,” she admits with an eye roll.

That first batch may have suffered from some missteps, but it’s clear that Tico ironed out the kinks somewhere along the way. I saw plenty of customers try a sample and then order the full cocktail, which comes in a good-size Tito’s jar. Erin tells me that Tico first dabbled with draft cocktails at its other location in Washington, D.C., and while it was a hit in the nation’s capital, there was some hesitation about trying it in a city known for its craft cocktail scene. But as long as the people making the drinks know what they’re doing, it’s easy to have confidence in the final product, whether it’s from a bottle, a tap, or stirred over ice. And judging by the rest of Tico’s cocktail menu, they definitely know what they’re doing.

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Tico is known for its Latin-American fare, and it’s got the drinks to match. There’s a selection of craft margaritas, from traditional to one made with ghost-chili-infused tequila. The Mayahuel’s Garden is less intense that, but it’s still got a little heat with its grilled jalepeño-infused tequila, muddled orange and poblano pepper, agave nectar, and fresh lemon and lime juice.

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The Paloma is made with Exotico Reposado tequila and grapefruit juice. This understated classic is simple, refreshing, and pleasantly sour.

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Tico’s also offer a few impressive twists on some traditional cocktails, like the 23 Bulleit. This Manhattan/Old Fashioned-like drink features Bulleit bourbon, ginger maple, Cinzano sweet vermouth, and orange bitters.

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If you don’t hear much about Tico’s cocktails – and I admit, they rarely show up on my radar – that’s probably because the food program gets all the glory. So it goes when a restaurant’s owner/chef has achieved near-celebrity status. Chef Michael Schlow has been named Best Chef in the Northeast by the James Beard Foundation, and he’s appeared on Good Morning America, Late Night With Jimmy Fallon, The Today Show, and a slew of other high-profile TV shows.

So even a cocktail-centric night like this would be incomplete with some of that award-winning cuisine. Tico treated us to some passed hors d’oeuvres, including chorizo tortilla Española, a pastrami and pickle mustard quesadilla, and spicy deviled eggs with Aleppo, crispy chicken skin, and hot pepper. All three were as good as they sound.

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I also got to try a few bites from the regular menu, starting with crispy manchego cheese. These little pillows of awesomeness had a perfectly crispy exterior, and a side of spicy pomegranate-honey sauce provided an earthy sweetness.

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The lamb tartare with avocado puree and poblano salsa was like a work of art. The flavors were wonderfully balanced, with the poblano salsa contributing some mild heat. Some people are naturally squeamish about anything “tartare,” but I have no such reservations (YOLO, etc.).

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And yet the little suckers on the octopus did briefly give me the creeps. But I pushed through and was happy I did. This rich, smoky dish of Spanish octopus was served with salsa veracruz, sautéed spinach, black garlic, and potatoes, and it was excellent.

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I’ve only sampled Tico’s wares, but I can see that the praise Schlow’s won is richly deserved. Amid all the accolades, it would be a mistake to overlook Tico’s drinks; they hold their own against food made by a top chef. It would also be hasty to dismiss a pre-made cocktail served via draft. It’s tempting to write the idea off as one that privileges efficiency over quality. But Tico’s draft Moscow Mule demonstrates how effectively it can be done. If bars are willing to hold themselves to the standard of using fresh ingredients and avoiding shortcuts, then whether your drink is handmade or simply hand-poured will be secondary to how good it tastes.

Address: 222 Berkeley Street, Boston

Website:http://www.ticoboston.com/

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Copyright © Boston BarHopper. All Rights Reserved.

Bacon & Bourbon Brunch at Anthem

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I don’t have any hard data to back this up, but I think I can say with confidence that no meat product is celebrated as frequently, as fervently, or as lustily as bacon. There are websites and blogs devoted to bacon. A very quick web search reveals that at least half the states in the union have hosted a bacon festival within their borders in the past year. Put the words “bacon-infused” in front of anything, whether it’s a spirit, a food item, or just a glass of water, and people will order it, gleefully, no questions asked. You want to see a vegetarian sweat? Fry up some bacon. Even vegans gotta shout. Bacon’s hype is richly deserved. This simplest and least healthy of meats adds a dose of awesomeness to everything it touches. Put a few rashers of bacon next to a plate of eggs, and you have the most iconic of breakfast dishes. Toss a few slices on an otherwise average burger and suddenly that burger becomes extraordinary. Wrap some scallops up in bacon and watch the most mild-mannered of party guests jockey for position in front of a platter of hors d’oeuvres.

And if you combine bacon with bourbon and create an entire brunch menu focused on those two hallowed ingredients, I will head into Boston early on a snowy Sunday morning and stand outside your door, shaking with anticipation until you let me in.

That’s pretty much the way things went down last weekend at Anthem Kitchen + Bar.

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Anthem’s Bacon & Bourbon Brunch was nothing less than a meditation on the glory of being alive. The menu was a bacon and bourbon lover’s dream, featuring mouthwatering items such as French toast with bacon and bourbon-infused maple syrup, and lobster eggs benedict with a pancetta hollandaise sauce. Something like “bacon and eggs,” by comparison, might sound a little humdrum. Not so. This didn’t feature “bacon” in the conventional sense, but something arguably better – bourbon maple pork belly, along with a heaping pile of cheesy grits. The pork belly was absolutely out of this world – melt-in-your-mouth tender, bursting with the richest, sweetest, smokiest flavor imaginable. I could seriously have eaten this until my arteries put up a “not a thruway” sign.

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The bacon and apple Monte Cristo was loaded with house-roasted turkey and topped with bourbon bacon jam (!!), granny smith apples, and cheddar cheese, served on French toast with maple syrup on the side. This was a great big sandwich with a splendid combination of flavors. The apple slices added a crisp texture that contrasted with the soft, warm French toast.

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And just as bourbon infused the food menu, bacon found its way into nearly all the cocktails.

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If there’s an hour of the day that’s too early to drink an Old Fashioned, then I’d rather sleep right through it. But it’s hard to argue that the Bacon Old Fashioned, made with bacon-infused Bulleit bourbon, muddled orange, sugar, and orange bitters, wasn’t perfectly suited to the most important meal of the day. This variation of the timeless classic had a big, bold flavor, and a garnish of candied bacon provided a smoky aroma with each sip. Bits of mashed-up orange permeated the drink, and little flakes of bacon floating around made it taste like a true breakfast cocktail.

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There’s no bourbon in a Bloody Mary, but Anthem managed to squeeze the most traditional of brunch cocktails into the theme by coating the rim of the glass in chopped bacon and celery salt. It had all the usual components – a house-made bloody mary mix, tomato juice, and vodka – and added a slice of bacon as a garnish. The rim was a little too salty for my taste, with the bacon/salt combo, but it was solid overall.

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The Sweet and Smoky Sling, however, was perfect. As the name implied, this drink was equal parts smoky and sweet, made with bacon-infused Bulleit bourbon, simple syrup, fresh lemon, pineapple juice, and a slice of candied bacon. This was a well-balanced cocktail – sweet and fruity with just enough smoke, and grounded in bourbon’s characteristic warmth and depth.

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Loaded with tourist traps and memorabilia shops, Faneuil Hall holds limited appeal for those of us who live and work in the city. But I’ve always argued that it has a few gems, and I’ve long been fond of Anthem. I don’t know whether Anthem will be adding any of these bacon-themed cocktails or bourbon-infused food items to their regular menu. But even if it was just for one morning, it’s always encouraging to discover original ideas in an area of town better known for playing it safe.

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Copyright © Boston BarHopper. All Rights Reserved.

Standard Education – It’s All in the Details

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It would be difficult to overstate Eastern Standard’s contributions to Boston’s drinking culture. Since its opening nearly 10 years ago, the Kenmore Square bar and restaurant has helped set the tone for craft cocktails in the city by reinterpreting classic drinks through a modern lens, unearthing age-old recipes and techniques, and of course, creating innovative original cocktails with a broad array of quality spirits and fresh ingredients. The bar attracts top talent, serves as a launch pad for respected mixologists who go on to open their own bars, and remains a cocktail destination in a neighborhood better known for baseball and beer. So when Eastern Standard offers a day’s worth of seminars on topics like how to create original cocktails, make French pastries, and identify subtle aromas in wine, you’d be wise not to miss class.

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Now in its second year, “Standard Education” is a chance for food and drink lovers to go behind the scenes at Eastern Standard and pick up a few tips from the pros. Those looking to beef up their personal hospitality game had a series of four 60-minute interactive classes, appropriately subtitled “It’s All in the Details,” to choose from. The day began with a lesson on how to make “flawless” French macarons, taught by Eastern Standard pastry chef Lauren Kroesser, and continued with a class on creating original cocktails, led by beverage programs liaison Bob McCoy.

Figuring that drinking and learning isn’t a bad way to spend a day, I attended a couple of afternoon and evening classes and was happy to pick up a few pointers from some of the best in the business.

“Scents” Memory: Bridging the Gap Between Wine Aromatics and Grape Varietals Through Olfactory Exploration

I experience the most remarkable phenomenon every time I smell rosemary. One whiff of this fragrant herb, and suddenly I’m a kid again, standing on my cousins’ front doorstep on Christmas morning. My aunt opens the door, and the first thing I’m aware of is the unmistakable aroma of my uncle’s cooking. My uncle was a fantastic cook, and if there was anything that could compare with the thrill of tearing open presents and emptying stockings in front of the fireplace, it was my uncle’s Christmas dinner. The feast would be in the works when I arrived, and despite the countless aromas that must have been wafting out from the kitchen, the one that always stood out for me was rosemary.

As a child, I can’t say I had any particular knowledge or affection for rosemary; it was only as an adult, when I got into cooking, that I began to associate the herb’s aroma with a specific, vivid memory. But the scent of that herb, and the personal experiences that accompany it, are embedded deep in my psyche, and with just one sniff, I can summon the warmth of my aunt and uncle’s home, the unbridled excitement of Christmas morning, and the joy of spending the holiday with my family.

That’s what Colleen Hein, Eastern Standard’s wine director, calls “scents” memory – the power of a certain aroma to transport you to a time, place, or episode from your past. Her class was geared toward teaching us to appreciate the power and sensitivity of our sense of smell, build a “memory database” of different aromas, and learn to identify those scents and flavors in wine.

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Before class began, attendees had a chance to peruse an aroma kit arranged on a table at the front of the room. This collection is meant to help isolate certain scents and create a language for discussing and enjoying wine. The items range from the aromatic, like lavender; to nostalgic, like apple pie; to the unexpected – like a boot and a glue stick.

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After sniffing around the menagerie of aromatic articles, we moved on to the wine. Set before each attendee was a series of five glasses of wine – three whites, two reds, but no other identifying features. Colleen asked us to sniff each wine and jot down our impressions of the aromas. The goal wasn’t necessarily to pinpoint every flavor in the glass or try to guess what kind of wine it was, but more to respond to the aromas, identify what we could, and see whether the aromas triggered any images or memories for us.

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I can’t say I had any revelations, but I did manage to pick out a few scents among the wines, like apricot, pear, and tobacco. Given how animated some of my classmates got over their discoveries, though, I was beginning to question my nose’s effectiveness.

The second exercise served only to confirm my fears.

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Colleen passed around a series of five kitchen shakers, each filled with an aromatic substance that we were supposed to identify. I struggled to figure out the first scent, finally settling on “chocolate cake mix.” Turned out to be toasted brioche. For a shaker that contained lime, I offered the incisive comment “some fruit.” At least I was in the ballpark with that one, which is more than I can say for the container filled with green pepper and pencil shavings. My interpretation? “Wet something.”

There was one shaker for which I couldn’t even hazard a guess, but since it turned out to be black olives, I’ll give myself a pass; I detest olives and rarely have occasion to smell them. I did manage to correctly recognize the smell of honey, but it’s safe to say I won’t have any winemakers asking me to help them pen descriptions for their labels anytime soon.

Aromanalysis action shot.

Aromanalysis action shot.

Despite my olfactory inadequacy, I found some measure of redemption in the third exercise, going three for five when asked to match the aromas in the canisters to the grape varietals in the wine. And when Colleen unveiled the mystery wines we’d been sampling, I realized I’d correctly identified one of them as a Sauvignon Blanc. (That doesn’t exactly make me the Sherlock Holmes of wines, since Sauvignon Blanc is my favorite type, but I’ll settle for a moral victory.)

So a career as a sommelier probably isn’t in my future, but my takeaway from Colleen’s class is that a wine’s aroma can be as important as its taste, and it’s worth paying attention to. Every person perceives aromas differently, but having a common language to discuss a wine’s character and complexity offers another way to truly share a bottle.

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Before moving onto the second class, I suppose I should attach a brief postscript to the aforementioned anecdote about my “scents memory” of rosemary. My uncle passed away about six years ago, but before he did, I made a point of telling him that his use of rosemary in his cooking triggered the warmest, most profound memory for me. And you know what he told me?

That he rarely, if ever, cooked with rosemary.

Maybe I was smelling the Christmas tree.

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Punches for Parties

Making a punch is an efficient way to serve drinks to your guests. Of course, punch has different connotations depending on your age and maturity level. There’s the kind of punch you see at kids’ birthday parties, a sugary mix of fruit juices and sherbet. Punches for the college sect are similar – just swap out the sherbet for a handle of vodka. Then there’s the traditional definition of a punch – a five-component beverage dating back to 17th century, when sailors in the British East India Company brought the concept back from India. You can probably guess which version you’ll find at Eastern Standard. (No, not the second one.)

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“Punches for Parties,” led by Eastern Standard bar manager Naomi Levy and held in the comfortable confines of the adjacent Hawthorne bar, offered a brief history of punch and a hands-on lesson in how to make a couple of recipes used at the bar.

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Dating back nearly four centuries, punch is a communal drink that pre-dates the standalone cocktail and requires five ingredients: booze, citrus, spice, sugar, and water. That’s a basic recipe with a lot of flexibility, and punch has been subject to near-infinite variations in its long history.

One creative and effective way to get two of those ingredients in there is by making oleo-saccharum. It’s fairly straightforward – according to Eastern Standard’s recipe, peel three lemons and one orange, and combine with six ounces of sugar in large bowl. With a muddler, you mash the peels into the sugar until the sugar is damp with the oil from the fruit. Then you let it sit for anywhere from 30 minutes to a few hours.

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While our oleo-saccharum rested for a bit, we watched while Naomi demonstrated the rediscovered art of making a clarified milk punch. Milk punch is an Eastern Standard specialty that has its roots in the 18th century and has enjoyed a surge of popularity in recent years. In the most basic terms, making a milk punch involves heating milk to 180 degrees; combining it with a mixture of booze, citrus, and simple syrup; letting it curdle; and then straining it until the punch is clear. Then it’s just a matter of convincing people who aren’t accustomed to hearing the words “milk” and “punch” used in the same phrase that it’s actually much better than it sounds.

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That shouldn’t be too hard with this recipe. While the process of making a milk punch can occupy an entire day (the straining takes a while), Naomi managed to speed things up for demonstration purposes. After lots of heating, pouring, and straining, this bourbon-based milk punch was astonishingly clear, with a silky texture and a remarkable blend of rich, sweet, and spicy flavors. A maple-thyme simple syrup added an especially nice touch. And since milk does a body good, you can always justify a second glass.

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After polishing off some milk punch, it was time to revisit our oleo-saccharum. Having sat for a half-hour, it yielded a sweet, citrusy oil, to which we added six ounces of fresh lemon juice. After stirring to dissolve the remaining sugar and removing the peels, we had a sweet mixture that would factor into the Eastern Standard Tea Punch (actually, we got to bottle ours and take it home while Naomi did the heavy lifting).

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This punch is a lot less labor-intensive than the milk punch and probably a little more approachable. It involves combining VSOP brandy, Appleton Reserve rum, Rooibos tea, the lemon juice and oleo-saccharum mix, and water.

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If you have any huge, industrial-cut, perfectly clear ice cubes kicking around, adding them to the punch bowl will impress your guests (and chill the punch, of course).

There was plenty of both punches to go around, so we all helped ourselves to a second glass while chatting among ourselves and pelting Naomi with questions. And I realized that this traditionally communal drink was doing exactly what it was intended to do – foster a convivial atmosphere and promote conversation among a group of strangers. Even after 300+ years, a good punch still does the trick.

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Approachability has long been one of Eastern Standard’s hallmarks. Its beverage program attracts plenty of cocktail connoisseurs with adventurous palates, while its proximity to Fenway Park draws game-day crowds that probably aren’t coming in for the milk punch. I imagine it’s a bit of a balancing act, but Eastern Standard maintains the broad appeal of a neighborhood bar and restaurant.

The staff’s willingness to interact with customers and share their expertise serves as another example of that accessibility. For now, Standard Education remains a one-day annual event, so class won’t be in session again until next winter. But you can discover something new anytime you visit.

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Copyright © Boston BarHopper. All Rights Reserved.

Cuchi Cuchi

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I don’t know how many hours I spent trying to find the words to describe Cuchi Cuchi before finally surrendering to the reality that the Central Square bar simply defies categorization. Calling it a cocktail bar would give short shrift to its eclectic dinner menu. Referring to it as a tapas bar is a little off the mark, too, because despite the preponderance of small-plate offerings, “tapas” is Spanish, and Cuchi Cuchi’s menu draws inspiration from around the globe. You could call it an ode to the Roaring Twenties, on account of the vintage drink list and servers clad in flapper dresses; but where exactly do the 19th-century fixtures, framed portraits of mid-20th-century actresses, and motion-detecting LED table fit into that description? “We wanted something completely different,” co-owner Fernanda da Silva explains in a matter-of-fact tone when reflecting on the inspiration for Cuchi Cuchi, which will celebrate its 14th anniversary this summer. Bartender Laura Antunes somehow manages to unite the restaurant’s many disparate elements: “We appreciate beauty,” she says simply. “Inside and out.”

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Beauty can be found in abundance at Cuchi Cuchi, and it appears in countless forms. An angular 40-foot bar is punctuated by brass lamps with reverse-painted glass lampshades that mimic an early-20th century style known as “blown out” or “puffy.” Behind the bar are three gorgeous stained-glass windows from the 1890s that once resided in a Chicago restaurant.

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An original Kubuki kimono adorns a wall above the dining area, next to a trio of autographed pictures of the incomparable Dita Von Teese.

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Hovering above the restaurant like a high priestess of fashion is a mannequin affectionately known as Conchita, who models selections from Cuchi Cuchi’s extensive wardrobe of tantalizing outfits and jewelry.

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And below Conchita is the “Chico Chica Boom” dining table, which adds a little modern-day pizzazz to the menagerie of elegant antiquities. It’s an interactive LED table that senses motion, reacting when you place a drink on its glass surface.

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As described on Cuchi Cuchi’s website, the décor seeks to capture the essence of Old World beauty and the glamour of the early Hollywood era. It’s a loosely defined theme that stretches across decades and borrows from multiple eras of style. The idea for it originated in the earliest days of Cuchi Cuchi’s history.

“When we talked about opening a restaurant,” Fernanda says, “the first thing we did was go shopping.” She and co-owners Tamara Bourso and Barbara Dollar (the latter of whom has since moved on to other endeavors) perused antique shops and worked with antique dealers to procure many of the items that conspire to give Cuchi Cuchi its timeless radiance.

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Fernanda’s enthusiasm for early Hollywood style is clearly evident. “The ladies dresses were so elegant,” she exclaims as she waxes nostalgic about an era defined by fashionable evening wear – fur coats, boas, glittering jewelry, snazzy suits. “Nobody dresses like that anymore,” she says a little wistfully.

Well…that’s not entirely accurate.

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Accentuating the décor, most of Cuchi’s staff don extravagant costumes that resurrect the days of flapper dresses, bob haircuts, colorful feathers, and flowing hats. Laura – herself a Cuchi Cuchi regular before becoming an employee – relishes the opportunity to get dressed up for work, and so do some of the customers. Groups of guests occasionally show up in Jazz Age garb, with Halloween and New Year’s Eve drawing the most colorful crowds.

Between the dazzling outfits and the charming antique fixtures, Cuchi Cuchi summons all the glitz and mystique of a vintage nightclub – think candlelight and jazz, conversation and laughter, a plume of bluish smoke drifting from the tip of a long cigarette holder balanced between the gloved fingers of some femme fatale. It’s a fervent, heartfelt paean to an era of glamour, sophistication, and sensuality.

And they’ve got the drinks to match.

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Cuchi Cuchi’s drink list is expansive and diverse, but a section devoted to “Vintage Cocktails” fits the mood perfectly. The Singapore Sling is a classic that dates back to 1915. Made with gin, Cherry Heering, Benedictine, Cointreau, orange and pineapple juice, and soda water, this old-school cocktail is vibrant, potent, and sweet.

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The Pegu Club Cocktail has its roots in the 1920s, when it was the signature drink of the eponymous British gentlemen’s club in Burma. Combining gin, orange curacao, lime juice, and Angostura and orange bitters, it’ll cool you off on a sweltering summer night.

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The amusingly named Satan’s Whiskers is a 1930s-era cocktail that blends gin, sweet and dry vermouth, orange curacao, orange bitters, and orange juice.

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The refreshing Caipirinha is the national drink of Brazil, and Cuchi Cuchi renders it simply and faithfully with cachaça, fresh lime juice, and sugar.

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The Mai Tai is a potent variation of the tiki classic, combining light and dark rum, orange curacao, amaretto, pineapple, and lime juice.

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Just as Cuchi Cuchi’s décor traverses styles and genres, their food menu casually hops continents. Fernanda explains that they avoided serving tapas because co-owner Tamara also runs the Spanish restaurant Dali, in Somerville, and they didn’t want to foster competition. But they did want dishes that fell somewhere in between appetizers and entrées in terms of portion size. The concept promotes a communal dining experience, with parties ordering a variety of dishes and sharing them.

And while it might not strictly be tapas, some of the dishes do hail from Spain, like the Sizzling Garlic Shrimp, served in piping-hot cast-iron skillet.

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Beneath the crispy exterior of the Fried Artichoke Hearts is a mix of gorgonzola, pistachios, and basil. This Italian dish is served with lemon, wine, and black olive sauce.

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You can’t smoke the Cuban Cigar, but this recipe of beef short ribs wrapped in dough with black bean salsa and plantains is satisfying anyway.

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Gobi-Manchurian is an Indo-Chinese dish of crispy cauliflower fritters in a tangy, spicy sauce.

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France makes several appearances on the menu, first with the Gratin Dauphinois – a rich, decadent bowl of baked, thin-sliced potatoes, onions, cheese, and cream. And the classic Duck a l’Orange is prepared in crepe form, with succulent roasted duck, citrus, and fennel vinaigrette.

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France Collage

There’s even a nod or two to Russia, as with the Chicken Kiev.

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While the Vintage Drinks tend to coincide nicely with Cuchi Cuchi’s panoply of historical items and themes, they’re matched by “Cuchi Drinks,” a selection of original concoctions and the bar’s take on other modern libations. I might not have noticed how many of them are made with muddled fruit and herbs had Fernanda not confidently told me that her bar was the first in the Boston area to offer a menu of muddled drinks.

That might sound like a bold claim, but it’s a credible one if you consider the state of cocktail culture 14 years ago. When Cuchi Cuchi opened its doors back in 2001, cosmos and appletinis were all the rage; I think mojitos were just becoming popular. The trend of crafting original drinks with fresh ingredients – and revisiting classic recipes, for that matter – was only gradually coming into vogue.

As with any good contemporary cocktail bar, Cuchi Cuchi’s drinks feature quality spirits, fresh fruit, and plenty of clever twists. The cocktail offerings change regularly, and all of the bartenders contribute ideas and recipes.

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“They take a long time to make,” Fernanda says of the cocktails’ composition, “but that’s because there’s a lot of love in these drinks.” Laura concurs: “It can be laborious, but we take a lot of pride in the drinks we make.”

The Orient Express is made with muddled kiwi, orange, lemongrass, cranberry juice, citrus vodka, and lychee liqueur, with a champagne float. Smooth, fresh, and fruity, the kiwi seeds add a cool visual effect at the bottom of the glass.

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The Blood Orange Side Car is a bold, fruity update of the classic, adding blood orange puree to a mix of cognac, Cointreau, and lemon juice.

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Ordering “You Give Me Fever” prompted the waitress to quietly sing a few bars from the sultry standard as she delivered this fiery mix of muddled jalapeno, pineapple and lime juice, fresh mint, tequila, and Maraschino liquor.

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Once Upon a Time in Mexico, a recent addition to Cuchi Cuchi’s menu, features muddled mint and jalapeño, Agavales Blanco tequila, elderflower liqueur, and passion fruit. The elderflower liqueur is St. Elder, made in Somerville. I mention that not only to give Cuchi Cuchi props for using a local product but because I think this is the first time I’ve encountered an elderflower liqueur other than St. Germain. Anyway, I digress.

It’s a sweet, balanced drink with a soft texture, floral notes, and a little kick at the end from the jalapeño. With layers of color and one of the most charming garnishes I’ve ever seen – a slice of lime cradling a cluster of pomegranate seeds – it was almost too pretty to drink. Almost.

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“Sexy, right?” Fernanda remarks. “That’s what Cuchi Cuchi’s about – naughty, sexy, fun.”

I’m glad someone can describe this place so succinctly.

Last Call

I don’t think Cuchi Cuchi could have chosen a more fitting name for itself. Inspired by the signature catchphrase of legendary Spanish entertainer Charo, the restaurant’s moniker demands to be uttered with flair and a sense of playfulness. It encourages conversation – “Why did they call it that? And what does it mean, anyway?” – and encourages guests to not take things too seriously. And that’s important, because for all of Cuchi Cuchi’s artistry and panache, its longevity is buoyed by the quality of its food and drink. If the atmosphere inspires you to dust off an old fedora or don a vintage cocktail dress, so be it. But you can come as you are.

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At the same time, it’s easy to get swept up in the staff’s enthusiasm. Listening to Fernanda and Laura talk about their shared passion for beauty, expression, and style somehow makes Cuchi Cuchi come alive. It becomes apparent, if there were any doubt, that the décor is not the product of calculated interior design but the living reflection of the collective imagination of a close-knit ensemble.

“It takes a certain personality to work here,” Fernanda acknowledges.

Of that, I have no doubt.

Address: 795 Main Street, Cambridge

Website:http://www.cuchicuchi.cc/

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Copyright © Boston BarHopper. All Rights Reserved.

Cocktails in Seattle

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A few years ago, I visited Seattle for work, and while I was only there for a few days, I quickly became enamored of the city. Sandwiched between Puget Sound and Lake Washington, with snowcapped mountains gracing the horizon, Seattle is surrounded by natural beauty.

Like Boston, it’s a walkable city that offers plenty of fascinating sightseeing opportunities for visitors. Sure, the Space Needle may be a tourist attraction, but it’s one of the most iconic structures in the country. And you’d be hard-pressed to find a more breathtaking view than from atop its 520-foot-high observation deck.

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Pike Place Market draws its share of visitors as well, but it’s no mere tourist attraction. This nine-acre district is home to one of the oldest farmers’ markets in the country, offering the ripest, most colorful produce and flowers I’ve ever seen, along with fishmongers, quirky specialty shops, and more than a few cool restaurants.

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Despite the crowds of gawking, picture-snapping out-of-towners who descend upon Pike Place every year, this beloved landmark holds a special spot in Seattle’s culture and maintains credibility among locals.

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Yes, it rains a lot, and often. And I’ve observed an interesting phenomenon – plenty of locals gripe about the weather, but if you say anything about it, they get a little defensive and tell you that it actually rains less in Seattle than in Boston, New York, and other major U.S. cities. Regardless of your opinion or perception of the weather, Seattle’s got plenty of hearty beverages to help get you through a misty day. I’ve heard that more coffee gets consumed in this city than anywhere else in the world, and considering the number of coffee shops I’ve walked by, I believe it. Seattle is, after all, the home of the largest coffeehouse chain on the planet.

A band jams in front of the very first Starbucks. The company later expanded…

A band jams in front of the very first Starbucks. The company later expanded…

And like other cities in the Pacific Northwest, Seattle is known for its enviable craft beer scene. An impressive array of breweries, brewpubs, and beer-centric bars offer a chance to sample dozens of local and regional microbrews.

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I was sure to avail myself of java and hops on my first trip to the Jet City. But when I returned last month, I was in search of top-notch cocktails, local spirits, and a chance to get Seattle’s take on the craft cocktail renaissance.

Once again, this splendid city did not disappoint.

Radiator Whiskey

Fresh veggies, colorful flowers, and guys throwing fish have made Pike Place Market a must-see destination for anyone visiting Seattle.

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Of course, no one’s stuffing those things into a suitcase to bring home as souvenirs (I hope), so the market is also host to a cottage industry of vendors selling keepsakes, t-shirts, and Seattle-themed memorabilia. It’s the sort of situation that could lead Seattleites to avoid the area entirely, preferring to get their produce from somewhere with less fanfare. But while tourists are lining up outside Starbucks or taking selfies with dead fish, those in the know are enjoying hidden gems like Radiator Whiskey.

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It may be in the heart of a major city in the Pacific Northwest, but Radiator Whiskey captures the rustic charm of a historic southern distillery. Dark and cozy, with a small, eight-seat bar, hardwood floors, and an enormous whiskey barrel façade, this could just as easily be a tasting room somewhere along the Bourbon Trail.

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There’s no whiskey made at Radiator Whiskey, which draws its name from a slang term for moonshine, but they do put their own spin on brown liquor. That massive barrel behind the bar actually holds seven smaller barrels of aging whiskey, some of which is made for Radiator by a local distillery called 2bar Spirits. And with taps affixed to the barrels, you’re pretty much getting your whiskey straight from the source.

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Those house-aged spirits add a unique dimension to Radiator Whiskey’s cocktail program, which balances original concoctions with creative twists on the classics. The Smoked Maple Old Fashioned is made with a house-smoked rye, maple syrup, angostura bitters, and an orange peel. Smoky, spicy, and sweet, this is a fresh take on the most traditional of cocktails, with the maple adding its own subtle, distinct element of flavor.

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The Manhattan has long been a tried and true favorite of mine, so I was delighted to see that the menu has an entire subsection devoted to this timeless cocktail – the cleverly titled “Manhattan Project.” Each entry on the list is named for a physicist and offers an intriguing Manhattan variation, with ingredients ranging from smoke-infused whiskey to mole bitters. I opted for the Oppenheimer: Chipotle – a blend of rye, punt e mes, and house chipotle bitters. The flavor from the bitters was distinct but subtle, adding a pleasant warmth to the already spicy rye.

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And of course, I couldn’t resist the novelty of ordering whiskey on draft. “That’s barrel strength,” the bartender reminded me as she poured me a glass of house-aged Knob Creek bourbon, “so be careful.” I can see the reason for the warning – even the aroma was smooth, and this silky spirit went down with remarkable ease.

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Fortunately, there’s food to soak up all that whiskey. The braised beef brisket is fork-tender, delicious, and accompanied by roasted onions, horseradish cream, and baby arugula.

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It was a generous portion that probably didn’t necessitate my side of smashed red potatoes, but you won’t hear me complaining.

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Address: 94 Pike Street, Suite 30, Seattle, Washington

Website:http://www.radiatorwhiskey.com/

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Suite 410

While Radiator Whiskey has a stripped-down, earthy look and a pointed emphasis on its namesake spirit, Suite 410 is every bit the modern craft cocktail lounge. A dozen or so funky stools surround a sleek bar, with some couch-like seating rounding out the space. Suite 410’s cocktail program features clever, contemporary recipes made with high-quality spirits and fresh ingredients.

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Such was not always the case. As I understand it, this Belltown bar once prided itself on cloying cocktails and vodka drinks, with a signature cocktail called the Hot Mango Love. Eventually Suite 410 decided it was time for a reboot, and their identity makeover yielded a cocktail program characterized by innovation, variety, and an obvious love of mixology. Not to mention lots of cool drink names, like Don’t Give up the Ship. Made with gin, dry sherry, Benedictine, and Spanish bitters, it’s an herbal, bitter cocktail with a striking lemon peel garnish.

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The Never Say Never gets an equally impressive garnish; am I imagining things, or is that orange peel sculpted into the word “Never”? Either way, it’s an artful topper for this mix of dual rums, Averna, Demerara syrup, and Abbott’s bitters.

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The elegant Nightingale uses Hedge Trimmer gin, made by Seattle distillery Sun Liquor. It combines with St. Germain, fresh grapefruit and lime juice, ginger, and basil for a vibrant, floral cocktail.

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The bartender even made a “mocktail” version of it for my friend, who wasn’t drinking.

The Seven Seas of Rye showcases the depth and diversity of Suite 410’s spirit selection. Rye whiskey, rum, and Campari are joined by Rossbacher, an herbal liqueur, and Byrrh, a wine-based aperitif. And if that isn’t enough, Bittermens Burlesque bitters add a fruity, floral component.

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It’s not the only drink to be enhanced with some unusual bitters. Wild Bill Hickok adds sarsaparilla bitters to a rich, complex mix of bourbon, Amaro Ramazzotti, house-made orgeat syrup, lime juice, and vanilla bean soda.

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Under the guidance of bar manager Jason Simplot, Suite 410’s cocktails are ambitious, approachable, and playful, and the program is a far cry from the bar’s previous life as a purveyor of flavored vodka drinks. But among all the newfangled entries, Suite 410 can reliably whip up some true classics.

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The Manhattan and the Gibson might be short on clever names and fancy garnishes, but they remain sturdy, timeless, and endlessly satisfying amid even the wildest, most complex innovations.

Address: 410 Stewart Street, Seattle, Washington

Website:http://suite410bar.com/

* * * * * * * * * * * * *

Copyright © Boston BarHopper. All Rights Reserved.

Savvor – Bartender Battle

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When Savvor opened its doors in Boston’s Leather District last February, I remember being curious about how well it would do. The neighborhood it calls home is a little quirky in terms of Boston geography, and opening any business in the middle of a brutal New England winter comes with its share of challenges. But Savvor seems to be cruising right along as it approaches its first anniversary. Their unique menu of Caribbean-infused soul food caught the attention of the Phantom Gourmet, which featured Savvor on its TV show in December. And I’m told the place gets packed on weekend nights, when a band sets up in the center of Savvor’s wide open bar area.

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What shouldn’t be overlooked amid the growing fanfare for Savvor’s food menu and music nights is that they’ve got a pretty cool cocktail program, too. When I first visited Savvor last year, I was impressed with their selection of classic drinks and original concoctions, their spectacular rum collection, and their genuine enthusiasm for mixology. And I recall owner Eddy Firmin telling me that the space was designed to enhance the cocktail experience – two separate bars minimize wait time, and customers can get up close to the bartenders, watch their drinks being made, and talk about the ingredients.

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Savvor seems intent on getting their cocktails a share of the spotlight, and to that end, they hosted a “bartender battle” last month in which three of their bartenders presented original recipes for a crowd of regular customers, who then got to vote on their favorites. Each bartender contributed three drink recipes, for nine cocktails in total, and attendees got to vote for up to four, with the top vote-getters being added to Savvor’s winter menu.

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The field of candidates was creative and diverse, with drinks ranging from strong, dark, and bitter to light, sweet, and fruity. Since the prize was a spot on the winter menu, I tended to vote for drinks that would be particularly suitable on a cold night – whiskey, brandy, other hearty spirits. It was only later that I saw the flaw in my reasoning: Savvor’s food menu is influenced by the Caribbean and the South. Places where the winters are warm. Oops.

Bartender Terral Ainooson’s entries appealed to a range of tastes. The Life Savvor contained just about every flavor you’d find in a roll of the ring-shaped candy that inspired the name. Combining gin, St. Germain, Amaro, pineapple, cranberry, grapefruit, and lime, it balanced sweet, tart, and herbal flavors in a fruity but complex drink.

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The Hennessey Royale captured some of the more traditional flavors of winter. Combining Hennessey cognac, St. Germain, and amaretto, it had warm notes of oak and almond. I found it a little too amaretto-forward, though it would probably warm you up on a cold night.

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But it was the Dark Shot that got my first vote of the evening. Mixing tequila, Averna, and Aperol, it was a bitter, spicy cocktail with the warm, distinctive bite of tequila. Terral later made me a version with mezcal instead of tequila, and that was even better.

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If there were an award for most provocative drink names, bartender Colin Hayes would have won it going away. The Mexican Wet Dream was a variation of a Sex on the Beach, made with Patron Silver tequila, amaretto, pineapple, simple syrup, orange juice, and cranberry juice.

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The Mexican Wet Dream was a little too sweet for my taste, but the Cucumber Sucker countered with a blast of sourness. Combining cucumber vodka, Liqueur de Rose, grapefruit, and sours, this one was cool, dry, and – you guessed it – sour.

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With a name like “Machine Gun Preacher,” Colin’s third cocktail was one of the most talked-about candidates of the night. This mix of Bulleit bourbon, Grand Marnier, Aperol, and bitters tasted like a classic Manhattan, but with some orange notes from the Grand Marnier. It won my second vote of the night.

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Rob Conklin is Savvor’s head bartender, and his three drinks packed some of the evening’s biggest surprises. I was expecting something kind of lightweight with his Spiced Cranberry Mojito, but unlike the cool sweetness of a traditional mojito, it was tart and spicy. A spicy simple syrup brought some unexpected heat to this mix of rum, mint, cranberry puree, and soda.

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I don’t know if there’s an old saying about not judging a drink by its color, but if there is, the Barley Martini embodies it. This one resembled your standard martini, but with Bruichladdich Scottish Barley whisky and gin, it tasted like anything but.

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The key ingredient here was the whisky, a white single malt made entirely with Scottish barley. The flavor was as distinctive as the unusual bottle, and it made for a crisp, utterly unique cocktail with a hint of sweetness.

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The Afternoon Delight served as a sweet complement to the spicy mojito and the bold whisky martini. Made with cachaça, grenadine, pineapple, and lemon juice, I was told that this fruity drink was named after a couple that was “getting a little frisky” one night at Savvor.

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The Barley Martini and Spicy Cranberry Mojito got my final votes of the evening, and not long after that, the scores were tallied. Drum roll please…

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Rob’s Barley Martini achieved honorable mention, and Colin’s Cucumber Sucker and Machine Gun Preacher came in third and second place, respectively.

Taking home the top honors? Terral’s Life Savvor. While it struck me as more of a warm-weather libation (see my aforementioned flawed voting criteria), there’s no denying the broad appeal of this complex but easy-drinking cocktail. It had a little bit of everything – a botanical-floral flavor from the gin and St. Germain, herbal notes from the Amaro, and a blend of sweet and tart fruit juices. Not to mention a catchy name that stirs up a little nostalgia and invokes the restaurant’s moniker.

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Best of all, the evening put into action the idea of focusing on the cocktail experience, which I’d discussed with Savvor’s owner last year. The event drew a crowd that was excited about cocktails, and I talked with plenty of people who put a lot of thought into their votes. And all three bartenders seemed genuinely excited to talk the inspiration for, and composition of, their concoctions.

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Overall, it was an evening of shared appreciation for quality drinks, and with the winning cocktails now being available on the menu, it held a sense of purpose that extended beyond the event itself.

* * * * * * * * * * * * *

Copyright © Boston BarHopper. All Rights Reserved.

The Third Annual Boston BarHopper Christmas Special

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I lament the loss of what was once a clear division of the major fall and winter holidays. Christmas was always my favorite time of year as a child; but impatient as I was for the sights, sounds, smells, and ultimately the spoils of this most festive of holidays, I knew you had to wait until the day after Thanksgiving for the magic to happen – claymation Christmas specials on TV, neighbors adorning their homes with colored lights, stores unveiling elaborate holiday displays. Even as a kid, I realized there was a time and a place for all that stuff and that Santa’s big scene would lose a bit of its luster if you overdid it.

Yet with no regard for such traditional boundaries, Christmas continues encroaching on Thanksgiving. Call me old fashioned, but I find the idea of department stores opening on turkey day to be nothing short of obscene, and I physically recoil when I walk into a mall in October and see holiday displays or hear Christmas music.

So I take a small but satisfying measure of comfort in visiting Salem, Massachusetts – which may be the only city in the world where Halloween encroaches on Christmas.

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With its cobblestone streets, classic brick buildings, and historic architecture, Salem embodies the spirit of colonial New England. First settled by Europeans in 1626, the coastal city has a rich maritime history, with Salem Harbor having served as a key port during the Revolutionary War, and was home to Nathaniel Hawthorne, the 19th century author who grappled with his Puritan heritage in some of the most famous works in American literary history.

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But the episode Salem is best known for is the infamous series of legal proceedings known as the Salem witch trials. Between 1692 and 1693, a climate of superstition, religious zealotry, and mass paranoia led to the execution of 20 individuals accused of practicing witchcraft. The trials inform Salem’s cultural identity to this day and have made it a year-round destination for those looking to immerse themselves in the city’s spooky lore. Never is this truer than during the Halloween season, when tourists from near and far don costumes and descend upon the city in droves. If you think finding a parking spot at the mall on Black Friday is bad, try driving to Salem on any weekend in October.

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All of this forms a unique backdrop for the holiday season. The city definitely gets into the Yuletide spirit, but spirits of another kind seem loom in the background. Through the illuminated trees of Salem Common, you can see the eerie red glow of the Salem Witch Museum.

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Lampposts are festooned with green wreaths and bright red bows, and behind them are boutiques catering to practitioners of modern witchcraft and kitschy shops selling all of your occult needs.

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A giant Christmas tree stands in the town center; in front of it is a statue of a witch riding a broom (and holding Christmas tree ornaments).

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And it’s hard to walk by the Old Burying Point cemetery without thinking about scary ghost stories and tales of the glories of Christmases long, long ago.

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But supernatural heritage aside, the reason I chose Salem for the location of this year’s Boston BarHopper Christmas Special is because of its deep New England roots. Christmas is an occasion to reenact centuries-old traditions, and for me, I’ve long been enamored of that classic, late-19th-century vision of the holiday season – bundled-up shoppers walking along gas-lit streets on a snowy night, carrying wrapped packages back to their home, where they could enjoy a brandy and warm their bones by the fire. Salem is one of the oldest cities in the country, and with its narrow, pedestrian-friendly streets, unique shops, and timeworn buildings, I feel closer to the source of that romanticized image.

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Plus, it’s great for barhopping, with plenty of bars and restaurants within walking distance of each other.

The Tavern at the Hawthorne Hotel

The Hawthorne Hotel, named for one of Salem’s most famous sons, has seen many a wintry holiday.

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The stately hotel first opened its doors in 1925 and remains a Salem institution. Hotel guests and locals alike congregate at the Hawthorne’s cozy Tavern, which has a decent-size bar, comfy chairs, and a fireplace.

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And even here, there’s a hint of the macabre. The Black Cat is made with hot chocolate, Baileys, and Kahlua, and topped with whipped cream. The name may invoke Halloween, but this decadently rich and sweet drink is well suited to a December night.

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If sitting by the fire doesn’t take the winter chill out of your bones, the Fireside cocktail will. Made with hot apple cider, spiced rum, and stirred with a cinnamon stick, it packs all the flavors of the season into a warm mug.

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The Irish coffee gets sweetened up with a little whipped cream but is otherwise pretty traditional – Jameson, coffee, and a teaspoon of brown sugar. It’s a simple drink, and a timeless one; and exactly the sort of beverage you can imagine generations of locals ordering when stopping in to warm up after a night of Christmas shopping.

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Address: 18 Washington Square West, Salem

Website:http://www.hawthornehotel.com/

* * * * * * * * * * * * *

Opus

If the familiar confines of the historic Hawthorne Hotel conjure the ghosts of Salem’s past, Opus offers a glimpse of the future. Bringing craft cocktails to the North Shore, Opus has the polished look of a modern cocktail bar – exposed brick walls, a long, curvy bar with an illuminated surface, and an impressive array of infused spirits and house-made mixers. Not to mention a cocktail menu that’s inventive and brimming with the flavors of the season.

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The Flipjack is made with Applejack, house-made pumpkin spice syrup, and an egg. Creamy and well balanced, it’s garnished with a dash of dried cinnamon, which is extracted from Opus’s house-spiced bourbon and then dehydrated. The pumpkin syrup gives the drink a special seasonal flair. And while “flip” cocktails may be in vogue, Applejack first became popular back in the colonial days, making it an entirely appropriate spirit for a Salem bar.

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The Sophia also captures the flavors of autumn and winter. It combines vodka infused with apples from nearby Brooksby Farm in Peabody, Vya aperitivo, and cinnamon, with a dried apple slice serving as an artful garnish.

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My friend took one sip and pronounced it “trouble in a glass,” and she was right. Crisp, fruity, and smooth, it’s a potent drink that goes down way too easily.

Address: 87 Washington Street, Salem

Website:http://www.salemopus.com/

* * * * * * * * * * * * *

Witch’s Brew Café

The Witch’s Brew Cafe is unlikely to make it onto a Salem tourist map. It certainly won’t be a destination for anyone in search of a contemporary cocktail menu. But I’m giving it honorable mention for this year’s post. If you happen to be exploring Salem on a cold December night, it’s hard not to be attracted by the bar’s front windows, strewn with Christmas lights, and be drawn to the warmth beyond them.

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The Witch’s Brew is a basic neighborhood tavern favored by locals. It may not have the cushy furniture of the Hawthorne or the sleek visage of Opus, but it does have a fireplace – which I greatly appreciated after enduring the frigid temperatures while attending Salem’s Christmas tree lighting.

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And I didn’t see any seasonal microbrews or holiday cocktails on the menu. But when you stop into a warm, cozy bar on winter’s night, sometimes nothing beats a classic.

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Hot drinks have their merits, but a Guinness has a special way of fortifying you against cold weather, holiday shoppers, and any supernatural phenomena you might encounter in the Witch City.

Address: 156 Derby Street, Salem

Website: http://www.witchsbrewcafe.com/

* * * * * * * * * * * * *

Salem Puritans’ fear and loathing of witches is well chronicled. You know what else they didn’t like? Christmas. They dismissed the holiday as a Catholic thing and condemned celebrations associated with it. Today, of course, Salem happily embraces witchcraft and Yuletide alike. When I was a kid, I used to wonder whether Santa had to dodge airplanes when he made his way out of the North Pole. In Salem airspace, I suppose he’d have to contend with broomsticks, too.

Whether your celebrations involve fuzzy red hats or pointed black ones, I hope your holidays are warm, safe, merry, and bright.

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P.S. If you're looking for seasonal drinks closer to Boston, check out last year's holiday post for a few unique suggestions. And if you find yourself in the confines of Faneuil Hall, here are a few ways that even a Boston native can enjoy this tourist mecca in the wintertime.

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Copyright © Boston BarHopper. All Rights Reserved.

One for the Road – Key West: The Adventure Continues

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About a year ago, my travels took me to one of the most celebrated tourist destinations in the United States – Florida’s Key West. It’s a city rich in culture, legend, and history; but since the occasion of my visit was my brother’s bachelor party, the vast majority of my sightseeing was relegated to the island’s many bars. I can’t say I had any complaints. But Key West is much more than just a cluster of bars. And so I promised myself that if I ever returned, I’d take the time to explore the nation’s southernmost city and get better acquainted with its unique character. This past fall, I did exactly that. With a little more time and a lot less urgency, and accompanied not by 13 other dudes bent on drunken shenanigans but by a small, dedicated team of fellow barhoppers, I was able to immerse myself in all those activities that make Key West famous.

Like getting up close to schools of radiantly colored fish on a snorkeling expedition.

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Visiting the onetime home of Ernest Hemingway, a writer whose work earned him a permanent spot in the canon of American literature and whose exploits infuse island lore to this day.

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Relaxing with a cigar on a warm, lazy afternoon.

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Partaking in a sunset celebration in Mallory Square, with musicians and other street performers putting on a show while the sun gracefully bowed out for the day.

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Visiting the concrete buoy marking the nation’s southernmost point and the mile markers designating the start/end point of U.S. Route 1.

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Having an obligatory margarita at the original Margaritaville.

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You could even say we made a few friends this time around.

When not hunting down rogue Jedi and Rebel scum, the Dark Lord of the Sith enjoys relaxing with the banjo.

When not hunting down rogue Jedi and Rebel scum, the Dark Lord of the Sith enjoys relaxing with the banjo.

Now don’t worry – we still did our share of drinking. We chugged down Pirate’s Punch at Captain Tony’s, walking away a few commemorative cups the richer.

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We drank craft rum drinks at the Rum Bar at the Speakeasy Inn, listening to tales spun by bartender Bahama Bob.

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And there was plenty of cheap, light-bodied beer to help us keep the good times afloat.

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All of that might embody the typical weekend in Key West, but we also managed to find a few bars that stood in sharp contrast to traditional island drinking culture.

The Porch

You don’t see many people walking around Duval Street sipping a Guinness. No offense to the godfather of dark beers, but Key West’s perpetually temperate climate naturally calls for lighter fare – Corona, Land Shark, Bud Light, that sort of thing. Even the choosiest beer snobs tend to adopt a when-in-Rome attitude in the Keys. And that’s what makes a Key West craft beer bar so unusual.

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The Porch occupies one half of the Porter Mansion, one of the oldest houses in Key West. Built in 1839, the mansion is named for Dr. Joseph Yates Porter, Florida’s first public health officer, who lived in the house for eight decades. Despite his death in 1927, some say Porter never actually left – the house is reported to be haunted.

But The Porch feels more homey than haunted, with two small, cozy rooms, hardwood floors, and a well-worn, scraped-up bar.

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Movie posters and other memorabilia adorn the walls, giving the space the atmosphere of a man-cave. But for all its interior charm, the best place in The Porch to drink is, well, the porch.

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This spacious veranda, decked out with tables, chairs, and ceiling fans, overlooks the mansion’s garden, with tall, leafy trees helping to keep the sun at bay.

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All you need to complete the picture is a good brew, and The Porch offers 18 rotating beers on draft and another 50 or so in bottles. Everglades Pale Ale is one of a handful of local options. Bold but drinkable, with clear notes of citrus, it’s well suited to sipping on a warm afternoon.

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High-quality craft cider has also made its way to the Keys. Rekorderlig Pear Cider is light, crisp, and sweet, with a natural, subtle pear flavor.

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If beer and cider aren’t your thing, the B. Nektar Meadjito is an unusual mead that features elements of a mojito. It still has a strong honey profile but the sweetness is tempered by hints of mint and lime.

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Address: 429 Caroline Street, Door #2, Key West, Florida

Website:http://www.theporchkw.com/

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The Other Side

The Porch isn’t the only bar to have set up shop in this allegedly haunted mansion. On the other side of the hall is a bar called, appropriately, The Other Side. And like The Porch, it offers something that’s a bit of a rarity in Key West – classic cocktails.

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Just as complex microbrews tend to take a backseat to lighter, simpler beers in Key West, you don’t see Manhattans or Old Fashioneds on many drink menus down here. Tiki drinks and rum drinks are norm, and they come in every flavor and variety – from hand-crafted cocktails made by a skilled mixologist to slushy plastic cups full of cheap booze poured out of a machine.

But The Other Side caters to drinkers with a more refined palate, or at least anyone looking for a change of pace from the sweeter drinks that dominate the island. It also differs notably in terms of décor; a marble bar, cushy bar seats, and a fireplace give The Other Side a sense of sophistication that sets it apart from the many dives that populate nearby Duval Street.

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Comfortable leather couches, a coffee table, and bookshelf wallpaper make you feel like you’re enjoying a cocktail in a friend’s living room.

Not that it lacks that vital sense of Key West irreverence.

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As with The Porch, I didn’t encounter any ghosts in The Other Side, but I did see plenty of spirits (har har har). The Other Side’s cocktail menu is loaded with classic choices like Manhattans, Blood and Sand, and Negronis, along with some inventive twists like the Raspberry Ramos.

Needless to say, there’s a Hemingway Daiquiri available, made with the excellent Papa’s Pilar blonde rum, grapefruit, lime, sugar, and maraschino liqueur, garnished with a generous wedge of grapefruit. This one was a tad sweeter than other Hemingway Daiquiris I’ve had, but I’m sure “Papa” would still be OK with it.

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The French 75 is pleasantly dry and effervescent, combining gin, lemon, sugar, and Prosecco.

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The unusually named Polish Apple Juice is a variation of the Dalmatian cocktail. Simple and sweet, made with Bison Grass vodka and a rich apple juice, it was like drinking a glass of apple pie.

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And our bartender was happy to whip up something that wasn’t on the menu. The Million Dollar Sunrise is a variation of a Tequila Sunrise.

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Address: 429 Caroline Street, Door #1, Key West, Florida

Website:http://theothersidekw.com/

* * * * * * * * * * * * *

Agave 308

Rum is unquestionably the most popular spirit in Key West, but tequila might take home the silver. This is, after all, “Margaritaville.” And who knows how much tequila gets consumed via shot glass in Duval Street bars while cover bands tear through classic rock and 80s tunes.

You can get sugary margaritas and shots of Jose Cuervo anywhere in Key West, but Agave 308 is the island’s only bona fide tequila bar.

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Named for its address on Front Street, Agave 308 specializes in tequila-based craft cocktails made with fresh ingredients. There’s more than 50 types of tequila, a small selection of mezcal, and not one bottle of sour mix.

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Despite being steps from popular destinations like Mallory Square and a block from Duval Street, Agave 308 has a tucked-away, hidden feel to it. Dimly lit, with candles on tables and funky artwork on the walls, it can serve as a respite from the hustle and bustle of those arduous Key West days.

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You can, of course, get a margarita here, which by virtue of its being made with fresh lime juice and high-quality tequila will differentiate it from what you might find elsewhere. But bar manager Jules Mavromatis’s drink list is fun and inventive and bears some exploring.

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The Basil Citrus Splash seems to be the most popular offering, and it’s easy to see why. Made with Milagro Reposado tequila, orange, agave, and fresh lime. The distinctive herbal aroma of a basil leaf accompanies every sip.

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The Mezcalita swaps tequila for mezcal and adds jalapeno for a smoky, spicy twist on a margarita. It’s garnished with grilled pineapple, and bits of chopped cilantro contribute an aromatic freshness.

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There’s also a variety of house-infused tequilas, with flavors like ranging from strawberry to pineapple to jalapeno.

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I mean, if you’re going to do a shot of tequila, you might as well make it a good one.

Address: 308 Front Street, Key West, Florida

Website:http://agave308.com/

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On the final night of my trip, before heading out for the evening, my brother and I were sitting in the hotel bar, quietly sipping drinks and waiting for everyone else to get their shit together. At one point we toasted and made a solemn pledge that we would someday return to this quirky tropical paradise. Key West may seem like party central and all that, but having vacationed there twice now with my brother, it’s become a place where we’ve not only drank and laughed but bonded and made a lot of memories (even if some of them are a little hazy).

And one of the great things about Key West is that when you go back, whether it’s a year later or five years, or ten, so much of it looks exactly the way you remember it. Every day will end with a breathtaking sunset.

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Sloppy Joe’s Bar will be in the same place it’s been since 1937. Same with Captain Tony’s Saloon.

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There’ll be icy rum drinks everywhere you look and plentiful cheap beer to cool you down on a hot day.

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With its deep roots and colorful history, much of Key West feels preserved and unalterable. At the same time, the island isn’t impervious to trends. Microbrews, old-school cocktails, and handcrafted drinks will always be exceptions in a city where people like to keep things simple, but Key West is anything but uniform. And I’d like to think when I go back someday, there’ll still be plenty to discover.

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Copyright © Boston BarHopper. All Rights Reserved.

Death Comes to Boston – Death & Co. Cocktail Book Launch

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I own about a half-dozen cocktail books – an old-school classic or two, some contemporary offerings, a couple of more focused ones. So where do I turn when I’m looking for a recipe? The web, of course.

The notion of a hard-copy cocktail book might seem a little quaint in a day and age when thousands of recipes and their innumerable variations, along with pictures, instructional videos, and detailed tips, tricks, and suggestions, are instantly available to anyone with a computer or smartphone. But when one of the world’s most acclaimed cocktail bars publishes a book, it’s time to make room on the shelf.

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New York’s Death & Co. opened its doors in late 2007 to little fanfare. A few days and a New York Times feature story later, the East Village bar had become something of a local phenomenon, with lines of customers snaking around the block. And since that time, Death & Co. has come to be recognized as a pillar of the craft cocktail renaissance. The bar is universally admired – except, perhaps, by the grumpy neighbors who tried to shut them down – and their work is constantly imitated. Death & Co.’s inventive drinks have appeared on cocktail menus all over the world, including here in Boston (I was introduced to their Oaxacan Old Fashioned through Ward 8).

So when Death & Co. publishes a book, it’s not just another resource for professional and amateur mixologists – it’s an industry event.

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In an effort to promote Modern Classic Cocktails, Death & Co. has been sending its bartenders on a tour of major U.S. cities, where they’re whipping up a few of the cocktails that have won the bar such renown. For their local visit, they set up in shop in one of Boston’s top cocktail bars – The Hawthorne. Owner Jackson Cannon was on hand, greeting guests upon arrival and pouring cups of Bloodhound Punch, made with bourbon, spices, lemon juice, blueberry syrup, and club soda.

The setting could hardly be more appropriate. The Hawthorne has garnered its own share of national praise, and like Death & Co., operates on the principle that discerning customers care about more than just the warm buzz they get from a glass of booze. A comfortable atmosphere, a vantage point from which to enjoy the artistry of a cocktail being made, the chance to appreciate or better understand its intricacies – these are essential to the experience.

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Making a great drink is only one aspect of running a truly exceptional cocktail bar, so it’s only appropriate that Death & Co.’s book isn’t merely a collection of recipes. And since “The Specs,” as the recipes are called, only account for about half of the book, it’s almost a misnomer to call Modern Classic Cocktails a cocktail book. More than anything, it’s a story, and one with familiar themes – having a good idea and believing in it; finding the right people to share in your dream and help usher it into reality; making painful sacrifices for a greater purpose; overcoming adversity; starting small and not losing touch with your ideals, even when you find success. Essays contributed by regular customers enrich the narrative further; this isn’t just experts expounding upon their craft, but an open conversation with a multitude of voices.

Of course, the experts and their cocktails are still the stars of the show, and as someone who’s not yet been to Death & Co., I was excited to finally sample their legendary wares and meet the people who make it all happen.

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The recipe chapter of the book devotes individual sections to base spirits (except vodka; long story) along with classic and vintage cocktails, variations on popular drinks, punches, swizzles, and more. The list of featured drinks at the Hawthorne event combined original compositions with a few inventive twists on the classics, all executed with Death & Co.’s trademark ingenuity and flair.

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Gin was one of the evening’s predominant spirits, starting with the Moon Cocktail. Made with Plymouth gin, amontillado sherry, crème de pêche, and a lemon twist, it’s a mostly dry cocktail with fruity notes from the peach liqueur.

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The cucumber ribbon atop the Kew Gardens Cooler gets lots of oohs and ahhs, but this mix of Beefeater 24 gin, Aperol, grapefruit juice, cucumber, and Scarlet Glow tea syrup tastes as good as it looks.

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The elegant Bella Luna combines Plymouth gin, crème de violette, St. Germain, lemon juice, and simple syrup for a smooth but potent cocktail with distinct floral notes.

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A couple of whiskey-based concoctions made the list as well, including the sweet and smoky Little Engine, made with the Famous Grouse, a 10-year tawny port, lemon juice, maple syrup, and apple butter.

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The Scotch Lady also employs the Famous Grouse, combining the cocktail-friendly scotch with bonded apple brandy, lemon juice, simple syrup, grenadine, and egg white for a dark, creamy drink. A brandied cherry serves as a stylish garnish.

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In addition to their many original creations, Death & Co. is of course known for some daring interpretations of the classics. The aforementioned Oaxaca Old Fashioned is their most popular drink, but it’s certainly not their only rendition of this most traditional of cocktails. I’ve tried plenty of variations on the Old Fashioned (many of them unremarkable), but the Elder Fashion is easily one of the most intriguing. With Plymouth gin, St. Germain, house orange bitters, and a grapefruit twist, it’s a simple drink that’s truly greater than the sum of its parts. The orange bitters and the grapefruit bring out the citrus notes in the gin, and the St. Germain contributes an airy floral character.

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Similarly, the Negroni is endlessly customizable. The House of Payne, made with Beefeater London dry gin, Plymouth sloe gin, Campari, and raspberries, is fruitier than the average Negroni but doesn’t sacrifice the drink’s bitter bite.

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As splendid as the drinks were, half the fun was seeing bartenders Eryn Reece and Jillian Vose in action. They are masters of their craft, and I hope it doesn’t come across as hyperbole when I say that watching them make three and sometimes four complex cocktails at once, shaking, stirring, and straining with speed, efficiency, and grace, was at times mesmerizing. Working behind an unfamiliar bar didn’t seem to slow them down, and they managed to talk to each other and field questions from inquisitive customers without missing a beat.

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Skills like that may take years to hone, but you don’t need a PhD in mixology to make Death & Co.’s drinks. Many of the book’s recipes are straightforward, and yes, plenty more are labor-intensive; but every one of them seems accessible. Ingredients like cinnamon bark syrup and sugar snap pea-infused Plymouth gin might sound exotic, but the instructions are in the appendix and they’re actually pretty simple. Authors David Kaplan, Nick Fauchald, and Alex Day also seem happy to demystify the process of creating a drink, even revealing some of their naming conventions.

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The most likely obstacle for the home bartender will be a lack of resources – not all of us have dozens of styles and brands of whiskey, rum, and Sherry to play around with, and you won’t find specialized items such as Combier Pamplemousse Rose liqueur in any old liquor store. But the authors encourage experimentation and improvisation; that, after all, is how Death & Co. came up with so many of these drinks in the first place.

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While the book is a comprehensive resource for the amateur mixologist, devoting ample space to bar tools, glassware, types of spirits, and bartender jargon, it’s also a goldmine for industry professionals. The book is an official, reliable collection of recipes that have floated around in one form or other for years, and it explains more nuanced techniques such as making citrus flags, flaming orange twists, and batching ingredients.

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And whether you work in this industry or, like me, simply appreciate the art of the cocktail, it’s hard not to be impressed by the chapter called “A Night at Death & Co.” – from the inventory and office duties that begin at 8 a.m. to the night’s tips being tallied and divided some 19 hours later. It’s a grueling day filled with a stunning array of cumbersome small tasks, endless interruptions, and daily traditions, and it gives me an even deeper respect for the effort that goes into running a world-class bar.

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We on the other side of the bar are the beneficiaries of those long hours and painstaking attention to detail, and most of us have experienced Death & Co.’s approach to craft cocktails whether we’ve been to the New York bar or not. Death & Co.’s influence has spread far beyond the borders of the Empire State and left an indelible mark on cocktail culture. Modern Classic Cocktails memorializes their contributions.

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Copyright © Boston BarHopper. All Rights Reserved.

Thirst Boston – 2014

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There was a time – not all that long ago, really – when the notion of a cocktail conference or convention would have been downright bizarre. What exactly would have been the content of a cocktail seminar in, say, the 1990s? The finer points of making a screwdriver? Even as recently as 10 years ago, when America was joyfully rediscovering the merits of a drink made by a skilled bartender using high-quality spirits and fresh ingredients, industry gatherings were small, relatively rare, and fairly narrow in scope. One need look no further than Thirst Boston to appreciate how the cocktail industry has evolved since then.

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This four-day day conference, now in its second year, opened with a black-tie gala last Friday night and closed with a bartender brunch on Monday morning. In between were two days’ worth of focused seminars, special events, hosted bars, parties, after parties, and vendor showcases, all inspired by and devoted to our renewed love affair with the cocktail.

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And judging by the diversity of Thirst’s attendees, it’s a love affair that exists on both sides of the bar. While many of the 20+ seminars had broad appeal, like “From Connery to Cruise: Cocktails in the Movies,” and “All for Rum and RUM FOR ALL,” others were more workshop-oriented, such as “The Art of Preparing Vermouth” and “Carbonation Station.” But even the most industry-specific presentations drew a mix of professional bartenders, amateur mixologists, and people who just appreciate good drinks and the process behind them.

The Aperitif Hour

With no shortage of interesting topics to choose from, the biggest challenge is deciding which seminars to attend. I started with “The Aperitif Hour,” presented by renowned bartender/writer Naren Young and local mixologist Nick Korn.

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Aperitifs are something I’ve long struggled to enjoy, and it’s only recently that I’ve started to understand the appeal of these bitter herbal liqueurs. The proceedings began with a punch that Nick made with oleo-saccharum, tea, Aperol, gin, and Prosecco, topped with grated nutmeg.

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While we sipped the punch, Naren walked us through a brief history of apertifs, explaining various types and uses and sharing some of his experiences with the liqueur, both as a bartender and drinker.

And then began the parade of Negronis.

Our first sample was Naren’s Chocolate Negroni, made with gin, Cinzano vermouth, Campari, white crème de cacao, chocolate bitters, and black cardamom tincture.

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Next up was a bottled Champagne Negroni and a short lesson in how to carbonate cocktails.

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The most intriguing portion of the seminar was Naren’s in-depth explanation of “sous vide” cocktails, a method of spirit infusion done with a vacuum seal machine normally used by restaurants to quickly bring food to their appropriate temperatures (there is no way I could do justice to this concept by trying to elaborate on it).

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The idea of a craft cocktail in a plastic bag might invite a little skepticism, but the lavender and lemongrass Negronis that came out of them were exceptional.

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The History of the Martini

I drink a martini about once a year. And as soon as that first sip crosses my lips, I remember why I don’t have them more often. My disdain for this iconic drink has long been a source of personal frustration; I want to like it. But I figured that if I was ever going to learn to appreciate the martini, attending a presentation by the makers of Tanqueray gin and Ketel One vodka might not be a bad idea.

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In fact, it was a great idea, because I made a valuable discovery: I don’t dislike martinis; I dislike poorly made martinis.

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Led by Tanqueray national brand ambassador Rachel Ford, the session began with a discussion of the various types of gin, the spirit’s versatility, and the relatively simple botanical blend of Tanqueray. With Tavern Road bar manager Ryan McGrale demonstrating the ins and outs of proper martini-making, Rachel then expounded upon the long history of this elegant cocktail, beginning with its presumed forebear, the Martinez.

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From there we tried the traditional dry martini and a few variations, such as the 50/50 martini, made with equal parts gin and vermouth, and the James Bond-inspired Vesper martini, made with vodka, gin, and Lillet Blanc.

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That led to a discussion of the fictional spy’s “shaken, not stirred” mantra – and how badly that oft-repeated phrase has damaged the martini’s reputation. Stirring the spirits brings out their flavor and gives the cocktail a smooth, silky texture, whereas shaking makes for a clouded, foamy drink. Mr. Bond can have his martini however he wants it, but “stirred, not shaken” is how I’ll take mine. And no olives, thank you very much.

Tales of Tattoo and Tiki Culture

It’s odd to think that there was a time when tattoo parlors were illegal in Massachusetts. Then again, there’ve been a lot of weird laws on the books in this state, so maybe it’s not that strange. It’s also pretty funny to recall the days when the most common companion for rum was Coke.

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But tattoo culture is huge these days, and the popularity of small-batch spirits has taught us to appreciate rum the same way we enjoy quality bourbon and scotch. That, in turn, has contributed to a renewed respect for tiki drinks, once maligned as overly sweet cocktails you’d only order in a Polynesian restaurant.

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The makers of Sailor Jerry rum brought these two worlds together for “Tales of Tattoo and Tiki Culture,” a seminar that celebrated the resurgence of tiki drinks and examined both the popularity and the remarkable artistry of tattoos. There’s an obvious historical connection there – rum was once considered the spirit of those who spent their lives on the high seas, and sailors were known for their tattoos.

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As much as I’d love to tell you more about this seminar, I’ll be honest – after a morning of aperitifs, an afternoon of martinis, and nothing more than cheese and crackers to eat, I was fading fast and decided to duck out a little early. It was fascinating stuff, and I’m a big fan of Sailor Jerry; but the class was to culminate with a lesson in coring a pineapple for a tiki drink, and I was cognizant enough to decide that my handling a sharp object and a large, unwieldy fruit was in no one’s best interest.

I will add that no one was overly impressed with my Negroni Week temporary tattoo, which I’d gotten at the aperitif session. Whatever.

Good Old American Ingenuity: Entrepreneurship in the Spirits Industry

With a fair number of lighthearted topics to choose from, like cocktails that have appeared in movies and literature, it’s telling that a seminar devoted to entrepreneurship was among the first to sell out.

Innovation is the cornerstone of this craft cocktail renaissance, and that extends beyond just the ability to come up with great drinks. The passion and demand for creative cocktails has spawned a small universe of new products – specialized glassware, bar tools, bitters, small-batch spirits, recipe books, you name it.

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In “Entrepreneurship in the Spirits Industry,” presented by Hendrick’s, a panel of three experts spoke about their experiences in going beyond cocktail creation and developing products that are helping to propel the industry forward.

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It would be difficult to overstate the impact Jackson Cannon has had on Boston’s cocktail culture. He was the opening bar manager of the renowned Eastern Standard and later the Island Creek Oyster Bar. His Hawthorne bar is considered one of the best cocktail bars in the country. Anyone with a resume like that is entitled to “a vanity project,” which is how he characterized the genesis of the Jackson Cannon Bar Knife.

Thinking it would be pretty cool to have a customized knife to give to friends and regulars, Jackson met with R. Murphy Knives, a knife manufacturer that’s been around since 1850, and looked through hundreds of their designs. The old-fashioned model that would eventually become his customized bar knife was originally designed for cutting shoe leather.

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Many bartenders will immediately recognize the knife by its oddly shaped, rectangular blade. And chances are, they’ll find it pretty useful, too. The sharp blade doesn’t dull quickly, and the squared-off tip is perfect for notching fruit, removing seeds, and making spiral-cut citrus peels.

Hawthorne bar manager Katie Emmerson does a little knife work.

Hawthorne bar manager Katie Emmerson does a little knife work.

Chicago-based mixologist Charles Joly apparently knows a thing or two about making drinks. He was named the best bartender in the world after winning the Diageo World Class 2014 cocktail competition in London, so…there’s that.

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Despite the international accolades, Charles’ venture into entrepreneurship has humble origins. He often found himself often being asked for drink recipes by customers, which he was happy to share – even when one customer called him at the bar, during a busy shift, to ask how to make a particular cocktail at home.

So he had an idea – why not bottle the drinks? Bottled cocktails, of course, are nothing new; dozens of them have been on store shelves for years. The problem is, they’re universally disgusting. Charles wondered whether he could make good drinks, with spirits he’d use in his own bar, and put them in a bottle.

And yes, it works.

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We tried samples of his Moscow Mule and Paloma, and I’ll give them the highest compliment I can pay to any bottled cocktail – they taste exactly the way they should. Products like these are ideal for someone who doesn’t have the time or inclination to make the drinks themselves, and while more discerning drinkers might be skeptical of a pre-made cocktail, it’s hard to argue with the results.

I’ve talked about gin with Hendrick’s brand ambassador Jim Ryan at a number of events over the years, but this was the first time I ever heard him speak at length about the spirit industry in general. His thoughts on the growing opportunities in this neo-golden age of the cocktail were interesting and informative. But what impressed me more was hearing that Hendrick’s, despite its popularity and stature, is still looking for ways to nurture creativity.

Maybe I’m overgeneralizing, but I always figure that a well-established brand like Hendrick’s, owned by a huge corporate distiller like William Grant & Sons, would find a formula that works and stick with it, valuing consistency – and the bottom line – above all else. But while Hendrick’s isn’t tinkering with their gin recipe (and well they should not), that doesn’t mean they’re inhibiting their distillers’ freedom to be creative.

Hendrick’s Quinetum is a quinine cordial that combines lavender and orange distillates with a host of other botanicals.

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The small, dark blue bottle is modeled on a poison bottle that someone at Hendrick’s found in an old shop. The flavor is sweet and the consistency somewhat oily, and it’s designed to be mixed with the gin or in a Hendrick’s and tonic. The Quinetum project is still very small – Hendrick’s only made a few thousand bottles, and they aren’t available commercially. Instead they’ve been sent to bars in a few cities (one of which is NOT Boston; ahem) for mixologists to experiment with.

You won’t find Hendrick’s Kanaracuni on store shelves, either, and probably not even in a bar – there are only 460 bottles in existence.

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In 2013, a team led by Hendrick’s’ master distiller ventured to the Venezuelan jungle in search of a new botanical to be used in a very small batch of gin. They eventually found the Scorpion Tail plant, so called for its resemblance to the poisonous arachnid. Scorpion Tail is the key ingredient in Kanaracuni, named for the Venezuelan village that served as the team’s home base. This floral, lip-tingling spirit has notes of coriander, anise, and citrus, giving it something of a tropical essence.

Products designed by people who work in this industry have a special, genuine kind of quality to them. A bar knife designed by a top bartender and bar owner; a bottled cocktail made by a celebrated mixologist; I think there’s more value in that than a celebrity chef allowing his or her name to be used on a kitchen tool or a venture capitalist deciding to dabble in the spirit business. And in the case of Jackson’s knife and Charles’ pre-made drinks, both explained the steps they’ve taken to ensure quality, eschewing shortcuts that could easily make them more money.

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Hendrick’s, of course, has the capital to fund projects like trips to Venezuela or designing cordials that may never be put on sale. But the desire and willingness to innovate is what unites a large distilling outfit with much smaller entrepreneurial projects like those led by Jackson Cannon and Charles Joly. And the takeaway is that there is no shortage of opportunities in this exciting, ever-growing industry.

Of course, Thirst Boston isn’t all about industry trends, marketing, and cocktail history. There’s also plenty to drink.

Hosted bars are set up throughout the day. Saturday morning opened with a French Café, serving up mimosas and pastries.

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In the afternoon, William Grant’s World of Whisk(e)y Bar took over. That’s a pretty impressive lineup of whiskies – Glenfiddich, Monkey Shoulder, Hudson, and a few other William Grant spirits.

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They factored into drinks like the Hunter’s Mark, Monkey Boulevardier, and the Irish Mule.

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Samples of Hudson were available neat or on the rocks.

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In the meantime, one of the larger function rooms was devoted to “State Lines: Portland and Providence Pop-Up.”

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Various bars from Maine and Rhode Island brought some of their favorite cocktails and other products to share in a New England-themed mini bar crawl.

The Schooner Punch, from Central Provisions in Portland, Maine.

The Schooner Punch, from Central Provisions in Portland, Maine.

The Boston Shaker, the Somerville barware boutique shop, also had a pop-up presence at Thirst. I was sure to buy something – and if you understand the significance of this picture, then be jealous. Be very jealous.

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On Sunday, things got started with a “Bloody “Bar” sponsored by Absolut, with plenty of spicy vodka options and garnishes to choose from.

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Later that day, Plantation offered a much-needed Daiquiri Time Out.

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And in the function room on Sunday afternoon was the New England Craft Showcase, and it was just incredible to see so many top-notch regional distillers and brewers under one roof. I got to try Grand Ten’s white rum and their Craneberry cordial, which head distiller Spencer McMinn told me differed considerably from the previous batch.

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Boston’s other distillery Bully Boy, was right nearby, offering samples of their expanding line.

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Berkshire Mountain Distillers was on hand with spirit and cocktail samples, along with Privateer, Portland’s New England Distilling, Vermont’s Mad River Distillers, and so many more that I can’t even begin to include here.

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But hopefully they’ll all be part of Thirst next year, too. I’d give anything to see a panel hosted by a few local distillers, discussing their experiences in the increasingly popular craft spirit movement.

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And the very fact that we can look forward to next year is significant in itself. Thirst Boston is a fairly small show compared to some of the other cocktail events in the country, like Tales of the Cocktail.

But like the industry itself, it’s only getting bigger.

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Copyright © Boston BarHopper. All Rights Reserved.

Alden & Harlow

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Casablanca Restaurant was the epitome of Harvard Square – quirky, informal, colorful, and a haven for anyone who worked, lived, or otherwise hung out in Cambridge’s most famous neighborhood. It opened as a bar in 1955 and evolved into a restaurant known for Mediterranean fare and mural-covered walls that depicted scenes from its namesake film. In December 2012, after more than a half-century of serving students, professors, actors, writers, and a host of eccentric characters, Casablanca finally succumbed to rising rents, increasing competition, and the impending retirement of its longtime owner. The Harvard Square institution closed its doors, leaving its oft-crowded space eerily quiet and empty.

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In many ways, the bar and eatery that opened at the same Brattle Street address a year or so later couldn’t be more different from its famous predecessor. With its upscale, contemporary look, inspired food menu, and top-notch cocktail program, the space now occupied by Alden & Harlow might not even be recognizable to a former Casablanca regular. At the same time, something about that dark, subterranean atmosphere and unpretentious attitude seems comfortably familiar.

At the bottom of a flight of stairs leading down from Brattle Street, Alden & Harlow has a tucked-away, almost hidden quality to it; despite its popularity and critical acclaim, being in there kind of feels like you’re in on a really cool secret.

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The bar area is dimly lit, with illuminated wooden slats on the walls and hanging caged lighting. There’s a fairly enormous, wraparound bar with upwards of 25 seats. A few tables and booths round out the bar area, which has a small, intimate feel about it.

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Low, wooden ceilings with exposed beams and a weathered concrete floor give the space a cozy, almost rustic appearance. Beyond the bar is a roomy dining area, overlooked by an open kitchen.

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Since its January 2014 opening, Alden & Harlow has garnered near-universal praise for its innovative cuisine. Led by chef Michael Scelfo, formerly of nearby Russell House Tavern, the menu features locally sourced, farm-to-table goods, with a special emphasis on vegetable dishes.

Charred broccoli is served on a bed of butternut squash hummus, topped with Bianco Sardo cheese and crumbled cashews. The sweet and savory hummus would be delicious even on its own. But combined with the smoky broccoli and the full-flavored cheese, it’s like a small feast for the palate. The cashews add not only flavor but texture to this excellent pre-dinner snack.

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The menu also boasts an unusual abundance of pickled products. Scelfo has explained in interviews that his grandmother made her own pickles, and he learned the art from her. That passion for pickling shows up all throughout the menu, like in a complimentary serving of pickled green beans. Drizzled with olive oil and topped with toasted sesame seeds, the crispy green beans have an acidic, vinegary zip and a warm, nutty essence.

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Heirloom eggs feature pickled fiddleheads and boquerones, which are Spanish anchovies soaked in vinegar.

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Things turn playful with the pickled corn pancakes, which are drizzled with maple syrup, accompanied by shishito peppers, and topped with – of all things – popcorn. It’s an unexpected combination, and at first glance, seems kind of silly. But the flavors work surprisingly well, and the airy, crunchy texture of the popcorn serves as a clever contrast to the soft, fluffy pancakes.

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Of course, there’s also plenty for carnivores to love. The chicken fried local rabbit (which I have yet to try) has become something of a signature item. And the “secret burger” is a legend unto itself. It’s a concept chef Scelfo experimented with while at Russell House Tavern, where he created a wildly popular burger recipe that wasn’t listed on the menu and was instead promoted only on social media. At Alden & Harlow, the “secret” burger isn’t so secretive; it appears on the menu, but the description’s a little…vague: “Our 8-oz Creekhouse grind, your faith, house-made roll.”

When it comes to burgers, I am a man of faith. So I didn’t ask what was on it, and the bartender didn’t offer any details. I was just happy they hadn’t run out yet; only a couple dozen or so are made every day, and they go quickly.

It’s easy to see why.

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The burger patty is made from a combination of brisket, short rib, and beef plate. It’s topped with salted onions, the chef’s grandmother’s special sauce recipe, bread and butter pickles (no surprise there), and a crispy slice of baked cheddar cheese. Smoky and juicy, with a blend of sweet and savory flavors, the “secret” burger more than lives up to the hype. The kicker is the unexpected crunch of the baked cheese, again making the texture a key part of the experience.

That innovative and ambitious menu has earned Alden & Harlow innumerable accolades. It’s regularly lauded by local publications and outlets, and this past summer, the venerable Bon Appetít named Alden & Harlow one of the 50 best new restaurants in America. And that made me wonder, as I do whenever I visit an eatery renowned for its cuisine, whether the cocktail program will match that level of ingenuity. I mean, if everyone’s coming for the food, why not just offer a few microbrews and a decent wine list and call it a day?

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Fortunately, Alden & Harlow’s cocktail program echoes many of the same principles that have won the restaurant such acclaim. The inventive libations resist categorization and emphasize local products and house-made ingredients. Some of the cocktails even incorporate items you might expect to find on the food menu instead of the drink list.

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[BBH Note: My initial visit to Alden & Harlow was in late summer, and much of drink list has changed since then. Rest assured, their current offerings are just as creative and satisfying.]

Pureed local corn makes the Amazing Grace foamy, creamy, and highly original. Combined with a maple liqueur from Vermont, lemon juice, and poblano pepper, it’s a balance of sweet and sour notes with a rich, peppery aroma.

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A charred apricot garnish lends a smoky essence to the Stone’s Throw. Made with rye whiskey, Punt e Mes, house peach vermouth, apricot, and mole bitters, it opens with a muted sweetness and ends with an herbal bitterness from the Punt e Mes. Mole bitters bring a hint of spice to the mix.

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Apricot also shows up in the Ancient Stone, made with Reyka vodka, mint, and “bubbles.” Bright and sweet, the fresh mint gives this drink a soft, herbal aroma, and the sparkling wine adds a pleasant touch of effervescence.

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But the first “wow” of my initial visit came courtesy of Duane’s World, a blend of Indian rum, Oloroso sherry, cold-brew coffee, Amaro, and urfa tincture – an extract from a Turkish chili pepper. Coffee is the most prominent flavor, but the warmth of the rum, along with the nutty notes from the sherry and the bitterness from the Amaro, make for a rich, wonderfully complex cocktail. The urfa tincture contributes subtle, peppery notes of sweetness and spice. Masterful.

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There are also a couple of nods to the classics, albeit with some novel twists. The Kon Tiki Mai Tai is a tribute to a variation of the tiki classic popularized by the famous Kon Tiki restaurant. Dating back to the 1960s, this recipe calls for two rums, ginger, orange, lime, absinthe, and Angostura bitters. The anise flavor from the absinthe might be jarring if you’re accustomed to a traditional Mai Tai, but the drink is well balanced, vibrant, and not too sweet.

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The Eastern Slopes combines elements of a Manhattan and an Old Fashioned, with rye whiskey, pisco, Santa Maria al Monte, orgeat syrup, and orange bitters.

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As I mentioned, most of the above drinks have since gone the way of summer. But now there are plenty of fall-themed cocktails, like the Sandhill Crane. Made with St. George Terroir gin, cranberry sage shrub, lime, and maple, it’s a crisp blend of sweet, tart, and vibrant flavors; a sage leaf rim adds a wonderful herbal fragrance.

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It’s a cocktail worthy of autumn in New England, and if Alden & Harlow is this good at capturing the essence of a season in a glass, it’s almost enough to make me look forward to winter.

Almost.

Last Call

Casablanca devotees (and I know they’re out there) might be a little sad to see anything in the hallowed space downstairs from Brattle Street. But you know, some dull national chain restaurant could’ve set up shop in there. Instead, Casablanca was succeeded by something truly original in Alden & Harlow, and while their respective food and drink offerings are light years apart, it’s hard not to feel a certain sense of continuity between the two.

Maybe it’s because they each, in their own way, reflect the culture and character of Harvard Square. The neighborhood may be home to one of the most elite universities in the world, but its streets teem with a wildly diverse, eclectic, mostly laid-back crowd. In the past, some of that crowd may have staggered into Casablanca for a late-night bite and a beer; nowadays, it’s wise to get a reservation for Alden & Harlow. But that doesn’t translate into exclusivity. As ambitious as Alden & Harlow’s menu is, it’s also approachable, affordable, and likely to have broad appeal.

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Even better – success hasn’t gone to Alden & Harlow’s collective head. The atmosphere remains casual and unpretentious, and on every occasion I’ve been there, bartenders have knowledgeably described every cocktail and happily offered suggestions on drinks or dishes.

Case in point – I was intrigued by the “AH House Bitter,” one of two spirits on draft (!!). The bartender explained that it was a house-made Amaro and was called “Alpine Style” because of its foresty blend of herbs and bittering agents. It sounded a little too bitter for me, so I opted for something else. But later, when I was paying the bill, the same bartender brought over a sample of the house-made bitter anyway, apparently deciding I needed to try it despite my misgivings. I was glad he did – with its crisp, pine-like essence, this digestif was complex and surprisingly smooth, with hints of rhubarb among the herbal flavors.

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Thoughtful gestures like that are often what make a visit to a bar or restaurant truly memorable. Couple that with good food and drink, and Alden & Harlow may even outlast its famed predecessor.

Address: 40 Brattle Street, Cambridge

Website:http://aldenharlow.com/

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